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Lunar Park
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About the Author

Bret Easton Ellis is the author of Less Than Zero, The Rules of Attraction, American Psycho, The Informers, Glamorama, Lunar Park, and Imperial Bedrooms. His works have been translated into twenty-seven languages. Less Than Zero, The Rules of Attraction, American Psycho, and The Informers have all been made into films. He lives in Los Angeles.

Reviews

Presented as a novel rather than a faux memoir, Lunar Park, read by James Van Der Beek, attempts to be satirical but is so self-reverential of the lead character/author's flaws, it often sounds like the worst cheap gossip columns or blog. Ellis may be disproving Socrates's proclamation that "an unexamined life is not worth living," be this fiction or not. The prolog sets the mood, dragging on indicatively as the rambling drug-riddled tale swings between fits of semiapologetic smarminess and potential horror. As his own lead character and narrator, Ellis calls on all his past real and fictional demons and creates a privileged world out of familiar pop culture celebrities in a horror mystery that may or may not be purely delusional. There is an audience for this work among the author's fans, but it may be a rather select group. Not recommended.-Joyce Kessel, Villa Maria Coll., Buffalo, NY Copyright 2006 Reed Business Information.

Patrick Bateman, the sociopath of American Psycho, is back, or at least Bret Easton Ellis thinks so. That's Bret Easton Ellis the character, not Bret Easton Ellis the author, except the character is also the author of American Psycho. The truth is, it's hard to sort truth from fiction in Ellis' latest novel. Van Der Beek (who starred as Sean Bateman, Patrick's younger brother in the film adaptation of Ellis's Rules of Attraction) does a fabulous job of playing a nihilistic, bored, paranoid and endlessly irresponsible writer. Though the character is drug-addled for a large portion of the book, Van Der Beek does not portray the stupor in his voice; instead he recounts Ellis's keen observations with the perfect sense of removal and lack of ownership. This distance serves well the horror genre that Ellis flirts with: the listener experiences everything through the main character's eyes, though that character has a reputation for being less than reliable. The Ellis character is done so smoothly that one may think that we are hearing Van Der Beek's natural tone. It is not until hearing him read the smaller roles of the other characters that the listener realizes the range of his capabilities. Simultaneous release with the Knopf hardcover (Reviews, June 27). (Sept.) Copyright 2005 Reed Business Information.

"Addictive. . . . Sublime. . . . Exquisite. . . . Stirringly executed. . . . A phantasmagoria of love and loss, a fusion of hallucination and wisdom."-The New York Times

"The deftness with which Ellis handles an entertaining and suspenseful plot, as well as a sophisticated play between truth and fiction, real selves and imagined selves, is impressive. Lunar Park is not only enjoyable and consuming, but insightful."-San Francisco Chronicle

"John Cheever writes The Shining. . . . A strange triumph. . . . Here is a book that progresses from darkness and banality to light and epiphany with surprising strength and sureness."-Stephen King, Entertainment Weekly

"A mesmerizing read. . . . Genuinely frightening. . . . Lunar Park is a story about the momentous pain parents inflict on their children. . . . The worst violence is internal and emotional, and in its beautiful closing pages, this rich, deceptively complex novel argues that's the most damaging violence of all."-The Miami Herald

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