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Macbeth
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About the Author

William Shakespeare (1564-1616) was born to John Shakespeare and mother Mary Arden some time in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), a collection of sonnets and a variety of other poems. Stanley Wells is Emeritus Professor of the University of Birmingham and Chairman of the Shakespeare Birthplace Trust. Carol Rutter teaches English And Comparative Literature and is Co-Director of Graduate Studies at the Centre for Renaissance Studies at Warwick University. Her publications include Enter the Body: Women and Representation on Shakespeare's Stage and Documents of the Rose Playhouse (MUP, 1999). George K Hunter is Emily Sanford Professor of English Emeritus at Yale University. His books include John Lyly: The Humanist as Courtier, Dramatic Identities and Cultural Tradition, English Drama 1586-1642: the Age of Shakespeare (Oxford History of English Literature Vol.6).

Reviews

Gr 5-8-These visually appealing, full-color adaptations introduce each title with a well-known quotation from the original work on an illustrated spread that captures the mood and setting of the piece. The stories are retold in panels with text containing an explanation of the characters' motives and a summary of the action taking place positioned beneath each panel. Brief snippets of quotations are enclosed within a few simple speech bubbles. Actual wording from the original works is very limited. Headings at the top of the spreads distill the plot essentials contained on those two pages. Macbeth uses extensive footnotes on each page to define and clarify Shakespearean language. Dramatic outdoor scenes are done in vivid colors, contrasting with night scenes rendered in gray tones. Unique features include historical information on the real King Macbeth and theatrical superstitions associated with what many actors consider an "unlucky play." A somber palette of grays and muted colors sets the mood for Frankenstein. Back matter includes a map of Europe marking the travels of Frankenstein and a chronology of medical and scientific discoveries between the years of 1747 and 1834. These titles might be useful to introduce classics to young readers in a formalized instructional setting.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY Copyright 2009 Reed Business Information.

The Yale annotated editions of these dramatic polar opposites include loads of textual notes and scholarly introductions, plus essays by Harold Bloom, all for the price of lunch at Mickey Ds. Supersized Shakespeare on the cheap. Copyright 2005 Reed Business Information.

Shakespeare's tragedy about the ill-fated thane of Cawdor is brought to life via this one-man interpretation from Alan Cumming. Motivated by his scheming wife, Macbeth lusts for and then takes power, which leads to regicide and his own undoing. Building upon his performance in the audio edition of A.J. Hartley and David Hewson's Macbeth: A Novel, Cumming executes a captivating solo performance of this classic play. With an authentic Scottish accent, Cumming ably embodies Lord Macbeth. He shifts from character to character seamlessly, capturing the tone, attitude, and emphasis of each, while providing an increasing intensity that conveys the reprehensible, irreparable nature of the title character's actions. In addition to embracing the various characters, Cumming's powerful performance even elevates the play's stage directions, which-rather than feeling like crude interruptions to the dialogue-slip in smoothly like the knife used to slay King Duncan. (July) (c) Copyright PWxyz, LLC. All rights reserved.

"I "highly recommend" Campfire's comics. They do what they are intended to do and do it in a way that excites kids about classic literature."

-- Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)

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