Table of Contents

Acknowledgements
Introduction: Why Maciste?
1. The Birth of the Strongman: Italian Silent Cinema, Stardom, and Genre
2. From Slave to Master: Cabiria (1914) and Maciste (1915)
3. Maciste Goes to War: Maciste alpino (1916)
4. Over There: The Maciste Series, World War I, and American Film Culture
5. Love, Labor and Leadership: The Modernity of the Maciste Series, 1919-1922
6. Muscling the Nation: Benito Mussolini and the Maciste Films of the 1920s
Conclusion: The Giant of the Dolomites and Beyond
Appendix: Claudia Gianetto and Stella Dagna
Part I: The Restoration of the Maciste Series
Part II: In Focus: Scene Analyses
Part III: Filmography
Notes
Bibliography
Index

Promotional Information

Winner, American Association of Italian Studies 2016 Book Prize for Film and MediaFinalist, Wall Award, Theatre Library AssnFinalist, The Bridge Award (American Initiative for Italian Culture)

About the Author

Jacqueline Reich is Professor of Communication and Media Studies at Fordham University. She is author of Beyond the Latin Lover (IUP, 2004) and Re-Viewing Fascism (IUP, 2002).

Reviews

The Maciste Films of Italian Silent Cinema is udnoubtedly a major contribution fo film scholarship. (Gender/Sexuality/Italy) In this path-breaking book, Reich . . . provides an interdisciplinary study of the Maciste films released in Italy between 1914 and 1926, films featuring actor Bartolomeo Pagano as Maciste, the strong man of Italian silent cinema. . . . Recommended. (Choice)