Table of Contents

Acknowledgments
Introduction

Chapter 1. Mario Barradas’s Life in Music (Mario Barradas)
Chapter 2. Musical Reflections on Mario Barradas and Son Jarocho (Francisco GonzÁlez)
Chapter 3. Son Jarocho’s Indigenous Expressivity across Geographies (Yolanda Broyles-GonzÁlez)
Chapter 4. Mario Barradas and Mexican Cinema (Rafael Figueroa HernÁndez)

Mario Barradas Discography (Rafael Figueroa HernÁndez)
About the Authors
Index

About the Author

Yolanda Broyles-GonzÁlez is a University Distinguished Professor and chair of the American Ethnic Studies Department at Kansas State. She is the author of El Teatro Campesino: Theater in the Chicano Movement, among other books.

Francisco GonzÁlez is a multi-instrument musician and a former member of the seminal folk-rock music group Los Lobos.

Rafael Figueroa HernÁndez is a cultural historian specializing in the study of Son Jarocho and other regional musical styles specific to the state of Veracruz and the Antilles at the Universidad Veracruzana.