O’Hara, a key interpreter of the aesthetics of
abstract-expressionism, was a vital presence in New York’s dynamic
postwar art world, whether as a curator at the Museum of Modem Art,
a visionary critic, a lushly original and lyrical poet, or an
unflagging, often outrageous socialite.” Donna Seaman,
Booklist
Moving in the way that only simple communication can be moving. .
. . His poems always manage a fresh start, free from the dreadful
posturings of the conventional verse of his generation.” Kenneth
Rexroth, The New York Times Book Review
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