Nicholas Cullinan is Director of the National Portrait Gallery, London, and curator of he Gallery's forthcoming exhibition Michael Jackson: On the Wall. He was formerly Curator of Modern and Contemporary Art at the Metropolitan Museum of Art, New York (2013-15) and Curator of International Museum Art at Tate Modern (2007-13), where he co-‐curated the hugely successful exhibition Henri Matisse: The Cut-‐Outs (2014). Margo Jefferson is a Pulitzer Prize-‐winning cultural critic. Her 2015 memoir, Negroland, received the National Book Critics Circle Award for Autobiography and was shortlisted for the Baillie Gifford Prize. Her book On Michel Jackson was published in 2006. She has been a staff writer for the New York Times and Newsweek, and her reviews and essays have appeared in New York Magazine, Grand Street, Vogue and Harper's, among many other publications. Zadie Smith is the award-‐winning author of the novels White Teeth (2000), The Autograph Man (2002), On Beauty (2005), NW (2012) and Swing Time (2016). Her collection of essays, Changing My Mind, was published in 2009. She was elected a fellow of the Royal Society of Literature in 2002 and joined New York University's Creative Writing Program as a tenured professor in 2010.
This exhibition at teh National Portrait Gallery...explores
Jackson's artistic impact and shine a light on those influenced by
the singer-- who is, according to the institution, "the most
depicted cultural figure in visual art."--Devonte Hynes
"Artforum"
[Michael Jackson] was an inspiration, a model, a tragedy. I have
never thought about him so much as in the last 24 hours, and shall
never think of him again as I did before. That is a measure of this
exhibition.--Henri Neuendorf "Artnet"
Ambitious and thought-provoking.... As On the Wall makes clear,
Jackson's own face -- through a combination of fame and relentless
surgery -- became a mask, reflecting our own biases and ideals
while concealing a deeper truth. His art and lasting appeal, on the
other hand, function as a reminder to consider our own disguises,
and what we might gain by letting them go.--Thomas Chatterton
Williams "New York Times"
Brings together work from a huge variety of artists, who have all
interpreted the musician's legend and legacy in their own unique
way.--Ted Stansfield "AnOther Man"
Despite the controversies that followed Jackson through his late
years, his lasting impact on our global culture is
undeniable.--Michael Morris "Gayletter"
Works that offer diverse, complex and often personal
interpretations of the entertainer.--Steve Dool "CNN"
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