Ani Landau-Ward is associated with the Social and Global Studies Centre and the Centre for Urban Research at RMIT University, where she has been teaching international development, social and political theory, and globalisation in RMIT's Bachelor of Arts (International Studies) program. Her current PhD research is a socio-legal analysis of the governance and justice implications of digitisation in property rights administration, in the international law and development field. She brings to her academic work professional experience in community work, land and housing justice advocacy, and participatory architectural design. Her research has been presented at the annual meetings of The Association for Law Property and Society, and the International Academic Association on Planning, Law, and Property Rights. She has also published on the opportunities for Indigenous land governance with the Centre for Urban Research. Her scholarly writing has been published in the Springer Global Encyclopedia of Public Administration, Public Policy, and Governance; the New Zealand Journal of Asian Studies, and the volume Urban Asias: Essays on Futurity Past and Present. Hariz Halilovich is an award-winning social anthropologist and author; he is Associate Professor and Vice-Chancellor's Senior Research Fellow at the Social and Global Studies Centre, RMIT University, Melbourne. His main research areas include place-based identity politics, forced migration, politically motivated violence, memory studies and human rights. Much of his work has an applied focus, and he has conducted research on migration and human rights-related issues for a range of non-governmental and governmental bodies, including the Minister for Immigration and Citizenship (Australia). His award-winning book Places of Pain: Forced Displacement, Popular Memory and Trans-local Identities in Bosnian War-torn Communities was published by Berghahn, New York-Oxford and his latest book Writing After Srebrenica by Buybook, Sarajevo. In addition to academic text-based outputs, he has also produced multimedia exhibitions, works of fiction and radio and TV programs.
This volume offers an exciting and innovative reflection on the current anxieties, challenges and dangers of our current global era by inviting us to 'think through monsters'. This invocation points to looming unknowns, shape-shifting ambiguities, and decentering logics of fear and possibility which together facilitate new modes of intimate engagement with a range of issues such as colonial violence, environmental degradation, decline of the west, and the enduring pain of genocide. This is a beautiful, moving, timely and evocative collection.-- Eve Darian-Smith, Chair, Department of Global and International Studies, University of California Irvine, and co-author of The Global Turn and author of Laws and Societies in Global Contexts. Monsters may be as old as human life (and our collective anxieties) and today they continue to stalk us -- and fascinate us-- in a time of technological transformation, inexorable globalisation, and political polarisation. Investigating the creatures of contemporary popular culture as well as less-celebrated beasts from Australian folklore to war crimes tribunals, Monsters of Modernity explores our anxieties and obsessions through the monstrous imaginary of dark colonial legacies, the profound consequences of global warming, and the pervasive influence of state power and capitalism. Like monsters themselves, this volume is unconstrained and fearless, ranging across geographies and chronologies, breaking through traditional disciplinary boundaries, and challenging the conventions of staid academic writing. Monsters of Modernity is a sophisticated, imaginative, provocative, and very welcome addition to the growing scholarly literature on the significance of our deep and enduring need for monsters. -- William M. Tsutsui, President and Professor of History, Hendrix College, and author of Godzilla on My Mind and Japanese Popular Culture and Globalization. This insightful and powerful book challenges us to learn from our monsters about ourselves and our past, and to face our increasingly uncertain future alongside them.-- Liz Gloyn, Senior Lecturer in Classics, Royal Holloway, University of London, and author of Tracking Classical Monsters in Popular Culture and The Ethics of the Family in Seneca.