Susan Wicks has published seven collections of poetry, four of them with Bloodaxe Books: The Months (2016), House of Tongues (2011), De-iced (2007) and Night Toad: New & Selected Poems (2003), which includes a selection from three earlier books published by Faber: Singing Underwater, winner of the Aldeburgh Poetry Festival Prize; Open Diagnosis, which was one of the Poetry Society’s New Generation Poets titles; and The Clever Daughter, a Poetry Book Society Choice which was shortlisted for both T.S. Eliot and Forward Prizes. House of Tongues, Night Toad, Singing Underwater and The Months are all Poetry Book Society Recommendations. She has also published three novels, The Key (Faber, 1997), Little Thing (Faber, 1998) and A Place to Stop (Salt, 2012), a short memoir, Driving My Father (Faber, 1995), and a collection of short fiction, Roll Up for the Arabian Derby (Bluechrome, 2008). Her two book-length translations of the French poet Valérie Rouzeau, Cold Spring in Winter (Arc, 2009) and Talking Vrouz (Arc, 2013) have between them won the Scott Moncrieff Prize for Translation from French and the Oxford-Weidenfeld Prize for Literary Translation, and been shortlisted for the the International Griffin Prize for Poetry. Born and raised in Kent, she lives in Tunbridge Wells, and is a freelance writer and translator.
'Wicks can be both a fearless and arrestingly tender kind of writer, unafraid of taking a thought into uncomfortable, raw or unexpected places... confessions and punishments, banishments and betrayals, all are rendered in the mouths of the past or looked at from the aftermath of the present. Seeming to rise darkly in pitch at the end of the collection, they adjust our sense of the easier poems, and further deepen the focus of this mysterious and powerful book.' - Paul Farley, PBS Bulletin, on House of Tongues; 'A poet of deceptive power, who can transmute everyday objects and events into poems with an understated numinous edge.' - Kathleen Jamie, PBS Bulletin; 'A fine poet, with an eye for detail and a gift for conveying the earthiness of everyday experience.' - Jo Shapcott, Independent on Sunday
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