Acknowledgements
Preface
What Is A Stunt?
A Little Stunt History
Training and Background
Special Effects
The Responsibility of a Safe Set
Beyond Fire and Bullets
Fights
How Do You Find and Hire Your Stunt Coordinator?
Stunt Doubles
Compensation and Adjustments
Safety
Insurance
Completion Bonds
Falls
Editorial
The Editor’s Role During Production And Post Production
Storyboards and Pre-Viz
Cars and Vehicles
Precision Driving
The Director’s Process
Ethical Responsibilities of Directors
Second Units
Martial Arts
Firearms
Swords and Knives
Horses and Livestock
Production Design
Sports
List of Authorities
Sources
Index
Empowers the reader to plan and organize the execution of stunts and special effects with efficiency, safety and competency.
Andrew Lane is Assistant Professor of Directing at Dodge College of Film and Media Arts at Chapman University, USA, and has previously taught directing and visual storytelling at the UNCSA School of Filmmaking, USA, and the USC School of Cinematic Arts, USA. A member of the Writers Guild of America and the Academy of Motion Pictures Arts and Sciences for over 25 years, Andrew Lane has written or co-written over twenty films, re-written numerous others, produced over twenty features, and directed seven.
Movie Stunts & Special Effects: A Comprehensive Guide to Planning
and Execution is an excellent addition to the library of any
filmmaker, especially the novice, who is all too often unaware of
the responsibility, care, time and preparation required to stage a
successful stunt or special effect. This book examines the key
visual tricks that make real the fantastic elements of film and
demonstrates clearly how to eliminate the ‘crossed-fingers’
approach to stunts and effects.
*David K. Irving, Director, Writer, and Associate Professor of Film
and Television, New York University, USA*
Finally a film book with no competition in the marketplace! A book
that all aspiring filmmakers with dreams of shooting cinematic
action scenes really must read. Veteran filmmaker Andrew Lane has
made a valuable contribution to 'how to do the inherently dangerous
safely' while creating the visceral moments you want.
*Wayne Crawford, Filmmaker and MFA in Filmmaking Program Director,
Horizons University, Paris, France, and Associate Professor of
Directing, UNC School of the Arts, USA*
This is a book that is invaluable to anyone contemplating a film
that involves stunts, special effects, or visual effects and wants
to know how to approach these very specialized areas safely and
economically. Not only students, but indie filmmakers from all
disciplines can learn something from Andy Lane's collaborators. The
stunt and effects people who have generously shared their
experiences enhance the value of the book. I would recommend it to
any and all.
*Betsy Pollock, Associate Dean of Production, American Film
Institute, USA*
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