Michael Zirpolo has been a practicing attorney since 1975. He has written numerous articles and presented many times on jazz musicians and the development of jazz from 1925 to 1960. He has served as a guest on radio programs and has digitally remastered vintage jazz recordings.
From time to time, the opportunity comes along to praise the
dedication and hard work of a respected acquaintance. This is an
especially pleasant opportunity when a book exceeds the already
high expectations that one may have had in advance of publication.
Knowing the writer and the subject matter led me to expect nothing
but the best and most informative read. However, having read and
considered the contents of the work, I can enthusiastically say
that I have just finished an impressive work of professional
scholarship that will stand as one of the rare and essential
histories of jazz and the big band era.
*Examiner*
There have been intelligent articles, commentary, books, and record
liner notes about Bunny Berigan in the past, but this new,
panoramic biography by Michael P. Zirpolo easily surpasses all
previous efforts.... Throughout the 550 pages and 25 chapters,
Zirpolo provides, in an interesting narrative, all the necessary
facts, and gives the work a proper and thorough context--something
that has often been lacking in other book-length writings about the
big bands. While as knowledgeable a swing aficionado as they come,
he retains the objectivity needed to write the definitive biography
of Berigan, and tells his story with understanding, compassion, and
respect.
(Zirpolo) recognized the scope of Berigan's talents, the importance
of his artistic achievements, and his standing in the big band
business way beyond the classic recording of 'I Can't Get Started.'
Significantly, he explains or corrects many heretofore
misunderstood events in Berigan's life... including how Berigan
became an alcoholic, why his marriage was unsuccessful, the nature
of his friendship with Tommy Dorsey, and his relationship with
Music Corporation of America (MCA)."
From cover to cover, Zirpolo's book has raised the jazz scholarship
bar, and deserves a spot on the bookshelf along such pioneering and
esteemed writers as Walter C. Allen, Whitney Balliett, John
Chilton, D. Russell Connor, Stanley Dance, Chip Deffaa, Charles
Delauney, Leonard Feather, John Flower, Edward F. Polic, Brian
Rust, Gunther Schuller, Chris Sheridan, George T. Simon (whom, by
the way, Zirpolo takes issue with for Simon's sometimes
less-than-enthusiastic reviews of Berigan's talents), Richard M.
Sudhalter, and Leo Walker.
Big Band Library rating: Supremely Excellent
*Big Band Library*
Michael Zirpolo's book is an immense blessing: it is the book on
Bunny Berigan that we have been waiting for. Every page has a new
story — funny, revealing, or sad — about this man who threw himself
into his music so wholeheartedly that he played more in his brief
lifetime than six or seven other (more well-behaved) musicians. But
the book is also a Wicked Tempter, so beware! I have it on my
kitchen table and whenever I walk by, Mr. Trumpet beckons to me. I
read two pages, entranced, and I have to tear myself away by brute
force to get on with the less entrancing parts of everyday life.
Intoxicating, addictive, a good read, a page-turner . . . you name
it. I wanted to say this now, right away, so that others could get
hooked, too!
*Jazz Lives*
This book is, no doubt, the last word on Berigan. At 550 pages it
is an impressive body of work, thoroughly researched and, befitting
its subject, never dull.
*Jersey Jazz*
Bunny Berigan was one of the magnificent jazz soloists of the
1930s. After arriving in New York from Wisconsin, his yeoman work
in the recording studios and brief but significant stints with the
bands of Benny Goodman and Tommy Dorsey led to milestone recordings
and enough notoriety for the star trumpeter to start his own big
band. The band's failure can be attributed to Berigan's ignorance
of how the business worked, and probably to his concurrent and
increasingly destructive alcoholism, which led to his death at the
age of only 33. This encyclopedic volume painstakingly documents
Berigan's entire life and career. Zirpolo built on Robert Dupuis's
commendable Bunny Berigan: Elusive Legend of Jazz (CH, Jul'93,
30-6086), and he benefits from extensive research completed since
that time, particularly a collection of materials gathered by
"Bozy" White. The amount of detail in Zirpolo's account may be
overwhelming for a casual reader (extended notes profile many
figures of the swing era), but serious fans and scholars will
appreciate this definitive biography. The White materials are also
scheduled to lead to a biodiscography--a discography being notably
absent from the present volume. Summing Up: Highly recommended. All
readers who are students or aficionados of jazz.
*CHOICE*
From time to time, the opportunity comes along to praise the
dedication and hard work of a respected acquaintance. This is an
especially pleasant opportunity when a book exceeds the already
high expectations that one may have had in advance of
publication....This book is the comprehensive and indispensable
biography of Roland Bernard "Bunny" Berigan. The author is Michael
Zirpolo.
Anyone interested in Bunny Berigan, his contemporaries, jazz and
big band history will be riveted to this book from the moment that
they open it. Michael Zirpolo has captured the essence of his
subject. Not only does Michael's love and respect for Bunny create
a very enjoyable read, his attention to detail and precision result
in a most informative, thorough and balanced tour-de-force. The
biography includes numerous previously unpublished photographs and
a comprehensive broadcast discography.
Michael Zirpolo has captured the story of Bunny Berigan in an
entertaining and informative read. I will not go on and give away
all the details or the plot but suffice to say that there are
revelations and surprises. My personal experience has been that
with this book my understanding of an essential personality and
talent of jazz and big band history has come to life in way that my
superficial and anecdotal knowledge of the man from other accounts
and recordings had never done justice to. I suspect that everyone
else interested in the subject matter will come away feeling the
same way.
*Dennis M. Spragg, Glenn Miller Archive, American Music Research
Center*
A fine addition to your jazz library.
*Jazz Journal*
From now on, everyone writing about the great swing and big band
trumpeter Bunny Berigan will have to refer to this book. When they
do, they just might realize that they should pick out another
jazzman to write about: Berigan is covered. Mr. Trumpet is and will
be for a long time the definitive biography of this wonderful
musician. ... he has done his homework and has created a book that
every Bunny Berigan fan will want to keep on their shelves for
repeated readings, as well as a book that casual fans of the music
of the swing years, the late '20s and '30s, will devour like a
slice of lemon meringue pie. ... Mr. Trumpet takes us inside not
just a man's life but a whole world that we know only
superficially. It's a story worth the telling and a world worth the
seeing.
*Rambles.NET*
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