List of Illustrations ix
Editors xiii
General Editors xiv
Contributors xv
Editors’ Preface to Museum Transformations and The International Handbooks of Museum Studies xvii
Introduction: Museums in Transformation: Dynamics of
Democratization and Decolonization xxv
Annie E. Coombes and Ruth B. Phillips
Part I Difficult Histories 1
1. The Holocaust Memorial in Berlin and Its Information Center:
Concepts, Controversies, Reactions 3
Sibylle Quack
2. Ghosts of Future Nations, or The Uses of the Holocaust Museum
Paradigm in India 29
Kavita Singh
3. The International Difficult Histories Boom, the
Democratization of History, and the National Museum of Australia
61
Bain Attwood
4. Where are the Children? and “We Were So Far Away …”:
Exhibiting the Legacies of Residential Schools, Healing, and
Reconciliation 85
Jonathan Dewar
5. Recirculating Images of the “Terrorist” in Postcolonial
Museums: The Case of the National Museum of Struggle in Nicosia,
Cyprus 113
Gabriel Koureas
6. Reactivating the Colonial Collection: Exhibition-Making as
Creative Process at the Tropenmuseum, Amsterdam 133
Mary Bouquet
7. “Congo As It is?”: Curatorial Reflections on Using Spatial
Urban History in the Memory of Congo: The Colonial Era Exhibition
157
Johan Lagae
8. Between the Archive and the Monument: Memory Museums in
Postdictatorship Argentina and Chile 181
Jens Andermann
9. The Gender of Memory in Postapartheid South Africa: The
Women’s Jail as Heritage Site 207
Annie E. Coombes
Part II Social Agency and the Museum 227
10. An Ethnography of Repatriation: Engagements with Erromango,
Vanuatu 229
Lissant Bolton
11. Of Heritage and Hesitation: Reflections on the Melanesian
Art Project at the British Museum 249
Nicholas Thomas
12. The Blackfoot Shirts Project: “Our Ancestors Have Come to
Visit” 263
Alison K. Brown and Laura Peers
13. “Get to Know Your World”: An Interview with Jim Enote,
Director of the A:shiwi A:wan Museum and Heritage Center in Zuni,
New Mexico 289
Gwyneira Isaac
14. The Paro Manene Project: Exhibiting and Researching
Photographic Histories in Western Kenya 311
Christopher Morton and Gilbert Oteyo
15. Reanimating Cultural Heritage: Digital Curatorship,
Knowledge Networks, and Social Transformation in Sierra Leone
337
Paul Basu
16. On Not Looking: Economies of Visuality in Digital Museums
365
Kimberly Christen
17. Preserving the Physical Object in Changing Cultural Contexts
387
Miriam Clavir
Part III Museum Experiments 413
18. The Last Frontier: Migratory Culture, Video, and Exhibiting
without Voyeurism 415
Mieke Bal
19. Public Art/Private Lives: The Making of Hotel Yeoville
439
Tegan Bristow, Terry Kurgan and Alexander Opper
20. Museums, Women, and the Web 471
Reesa Greenberg
21. Möbius Museology: Curating and Critiquing the Multiversity
Galleries at the Museum of Anthropology at the University of
British Columbia 489
Jennifer Kramer
22. When You Were Mine: (Re)Telling History at the National
Museum of the American Indian 511
Paul Chaat Smith
23. Against the Edifice Complex: Vivan Sundaram’s History
Project and the Colonial Museum in India 527
Saloni Mathur
24. Can National Museums be Postcolonial?: The Canadian Museum
for Human Rights and the Obligation of Redress to First Nations
545
Ruth B. Phillips
Index 575
ANNIE E. COOMBES is Professor of Material and Visual Culture at Birkbeck, University of London, UK, where she teaches museum studies and art and cultural history. She is Director of the Peltz Gallery and author of award-winning books on museums, memorialization, and the legacy of colonialism.
RUTH B. PHILLIPS is Canada Research Professor of Art History at Carleton University, Ottawa, Canada. She has served as director of the University of British Columbia Museum of Anthropology and teaches and publishes on Indigenous North American art and critical museology.
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