Table of Contents

Guide to Online Media Examples
Introduction
1. Ottoman Empire, 1890-1915: Komitas Vartaped and the Construction of "Armenia"
2. New York, 1932-1958
3. Beirut, 1932-1958
4. Beirut, 1958-1980
5. California
Notes
References
Index

About the Author

Sylvia Angelique Alajaji is Associate Professor of Music at Franklin & Marshall College.

Reviews

Music and Music and the Armenian Diaspora is a wonderful contribution to the study of Armenian music and a sophisticated exploration of what it means (and has meant) to be Armenian in the world. (H-Music) [S]omeone familiar with the path of the Armenian peoples—their various cultures, histories, and experiences in multiple contexts—would approach this book with apprehension and care, hoping and perhaps dreading to learn from the complex history, genocide, and rebirth/remaking of the Armenian people. In Music and the Armenian Diaspora . . . Sylvia Angelique Alajaji presents and explores all of these things through music and perspectives on music with clarity, compassion, and open eyes, in ways that are appropriately challenging and accessible to social scientists, historians, and anyone with a deep interest in Armenia or Armenian people. (Notes) Covering with much detail a wide variety of musical phenomena that have been hitherto ignored in Armenian music scholarship, Music and the Armenian Diaspora is a landmark work that challenges many of the orthodoxies about Armenian music as it is conceived of today. . . . The lucid writing style, the empatheic and observant attention to forgotten musical histories, and the excellent selection of included recordings, make Music and the Armenian Diaspora a book that deserves to be read by a wide range of readers interested in topics as varied as music and conflict, diaspora studies and the cultural dimensions of genocide. (The World of Music)