John Morris is an expert on music and film in the Second World War period, and holds a PhD in English from the University of Exeter, UK.
John Morris makes a powerful case for 1934 as a pivotal year in
British cultural history, in which vital questions of national
identity, elite vs. mass culture, and the challenge of Nazi Germany
came to a head in the struggle to define a British “national”
music.
*Mark Hampton, Associate Professor, Lingnan University, Hong Kong*
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