Music and Silence is a wonderful, joyously noisy book." - Steven Poole, The Guardian She is the best historical novelist of her generation. She evokes the past with sensuality, wit and superb sleights of hand." - A. N. Wilson, Evening Standard The delicacy of this haunting, mythical novel is beautifully complemented by the three-voice narration and the intermittent Dowland and Byrd. It creates the mesmerising, unhappy worlds of Christian IV's Denmark, where his musicians play unseen in chilly cellars, and of crazed Count O'Fingal's Ireland, where he pursues a tune heard in his dream. - Rachel Redford, The Observer Rose Tremain is an even more arresting and atmospheric writer than Zafon, and much better at intricate plots. Her Music and Silence is told from three points of view, made more vivid on audio by the use of three narrators: Michael Praed, who projects the eccentric but guilt-haunted King Christian IV of Denmark (1577-1648), Alison Dowling, horrid as his strident, sex-obsessed consort Kirsten, and Clare Wille as the gushingly romantic Francesca, Countess O'Fingal. Linking them all is the lute player Peter Claire (cue apt Naxos lute music by Dowling and Byrd) and his ill-fated affair with Emilia, Kirsten's companion. - Christina Hardyment, The Times English lutenist Peter Claire performs in the royal orchestra of King Christian IV's 17th-century Danish court, stirring the hearts of the principal women in this novel. Royal family dynamics are interwoven with love and lust as Claire catches the eye of the king and achieves a far-flung influence on a number of fronts - his political clout reaches from a widowed Irish countess of Spanish origins to the workers in the Scandinavian silver mines. Chapters are interspersed with delicate lute chords, and the alternating voices of the readers animate the narrative of each of the main characters. Feminine and breathy, Alison Dowling and Clare Wille give velvety, expressive voices to the female characters' tales. Michael Praed's strong, unaffected speech depicts the intensity and desperation of the characters he portrays. Mortal danger and the prospect of tragedy build as the narrators deliver their spirited array of voices. - A.W. A(c) AudioFile 2009, Portland, Maine [Published: SEPTEMBER 2009]
Music and Silence is a wonderful, joyously noisy book." - Steven Poole, The Guardian She is the best historical novelist of her generation. She evokes the past with sensuality, wit and superb sleights of hand." - A. N. Wilson, Evening Standard The delicacy of this haunting, mythical novel is beautifully complemented by the three-voice narration and the intermittent Dowland and Byrd. It creates the mesmerising, unhappy worlds of Christian IV's Denmark, where his musicians play unseen in chilly cellars, and of crazed Count O'Fingal's Ireland, where he pursues a tune heard in his dream. - Rachel Redford, The Observer Rose Tremain is an even more arresting and atmospheric writer than Zafon, and much better at intricate plots. Her Music and Silence is told from three points of view, made more vivid on audio by the use of three narrators: Michael Praed, who projects the eccentric but guilt-haunted King Christian IV of Denmark (1577-1648), Alison Dowling, horrid as his strident, sex-obsessed consort Kirsten, and Clare Wille as the gushingly romantic Francesca, Countess O'Fingal. Linking them all is the lute player Peter Claire (cue apt Naxos lute music by Dowling and Byrd) and his ill-fated affair with Emilia, Kirsten's companion. - Christina Hardyment, The Times English lutenist Peter Claire performs in the royal orchestra of King Christian IV's 17th-century Danish court, stirring the hearts of the principal women in this novel. Royal family dynamics are interwoven with love and lust as Claire catches the eye of the king and achieves a far-flung influence on a number of fronts - his political clout reaches from a widowed Irish countess of Spanish origins to the workers in the Scandinavian silver mines. Chapters are interspersed with delicate lute chords, and the alternating voices of the readers animate the narrative of each of the main characters. Feminine and breathy, Alison Dowling and Clare Wille give velvety, expressive voices to the female characters' tales. Michael Praed's strong, unaffected speech depicts the intensity and desperation of the characters he portrays. Mortal danger and the prospect of tragedy build as the narrators deliver their spirited array of voices. - A.W. A(c) AudioFile 2009, Portland, Maine [Published: SEPTEMBER 2009]
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