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After her death in 1964 Flannery O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications in her lifetime. The brilliant pieces in "Mystery and Manners," selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the boldness and simplicity of her style, a fine-tuned wit, understated perspicacity, and profound faith.
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About the Author

Flannery O'Connor was born in Savannah, Georgia, in 1925. When she died at the age of thirty-nine, America lost one of its most gifted writers at the height of her powers. O'Connor wrote two novels, Wise Blood (1952) and The Violent Bear It Away (1960), and two story collections, A Good Man Is Hard to Find (1955) and Everything That Rises Must Converge (1964). Her Complete Stories, published posthumously in 1972, won the National Book Award that year, and in a 2009 online poll it was voted as the best book to have won the award in the contest's history. Her letters were published in The Habit of Being (1979). In 1988 the Library of America published her Collected Works; she was the first postwar writer to be so honored. O'Connor was educated at the Georgia State College for Women, studied writing at the Iowa Writers' Workshop, and wrote much of Wise Blood at the Yaddo artists' colony in upstate New York. A devout Catholic, she lived most of her adult life on her family's ancestral farm, Andalusia, outside Milledgeville, Georgia, where she raised peacocks and wrote.

Reviews

"Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing." --John Leonard, The New York Times"[O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius." --Alfred Kazin, The New York Times Book Review Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. John Leonard, The New York Times [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. Alfred Kazin, The New York Times Book Review" Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. "John Leonard, The New York Times" [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. "Alfred Kazin, The New York Times Book Review"" "Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing."--John Leonard, "The New York Times" "[O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius."--Alfred Kazin, "The New York Times Book Review"

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