A complete guide to fantastic special effects glazes for the studio potter.
Acknowledgements Introduction Section 1: Glaze Principles and Application 1 Understanding Glazes 2 Glaze Materials and Minerals 3 Colouring Glazes 4 Impurities and Variation In Materials 5 Stability and Durability 6 Creating and Testing Glazes 7 Glaze Mixing and Application 8 Firing 9 Glaze 'Defects' Section 2: Special Effect Glazes 10 Special Effects: The Chemistry 11 Crackle Glazes 12 Ash Glazes 13 Celadon and Copper Red Glazes 14 Drippy Glazes and Chun Glazes 15 Crystalline Glazes 16 Shrink and Crawl: Lichen Glazes 17 Volcanic, Lava or Crater Glazes 18 Spotted Glazes 19 Metallic Glazes 20 Layering Glazes Conclusion References Bibliography Appendices 1 Glaze Materials UK:US Materials Substitutions 2 Orton Cone Temperatures 3 Ceramic Materials, Chemical Formula and Molecular Weight 4 Limits for Stable Glazes 5 Periodic Table of Elements 6 Materials Analysis for UK Frits, Clays and Feldspars 7 Materials Analysis for US Frits, Clays and Feldspars Suppliers Laboratories for Leach Testing of Glazes Health and Safety Index
Linda Bloomfield has been involved with pottery since 1973, although her career path led her to train as a materials scientist; she holds a PhD in Materials Science from Warwick University. After stints as a visiting scholar at MIT in Boston and as a researcher in Japan and the UK, she set up her current studio in London in 2001. Since 2003 she has been selling through galleries and shops across the UK and internationally, and her tableware is used in several high-end restaurants. She currently lives in London and is a frequent contributor to Ceramic Review. Linda's previous books include New Ceramics: Colour in Glazes, The Handbook of Glaze Recipes, and Contemporary Tableware.
Right up there with the best of them ... Linda should be
congratulated * London Potters *
The knowledge of glazes is an evolutionary process ... Special Effect Glazes makes a valuable and desirable contribution to this lineage of knowledge ... I encourage you to embrace this delightful publication. -- Kevin Boyd * The Journal of Australian Ceramics *