Keisha Bush was born and raised in Boston, Massachusetts. She received her MFA in creative writing from The New School, where she was a Riggio Honors Teaching Fellow and recipient of an NSPE Dean's Scholarship. After a career in corporate finance and international development that brought her to live in Dakar, Senegal, she decided to focus full-time on her writing. She lives in East Harlem.
“[An] unflinching and poignant debut.”—The New York Times Book
Review
“No Heaven for Good Boys is a compelling, devastating novel with
unforgettable characters. Keisha Bush doesn’t shy away from
portraying the shattered lives of the children on Dakar’s streets
and the injustices that they suffer, but she does so with great
compassion and empathy.”—Deepa Anappara, author of Djinn Patrol on
the Purple Line
“An extraordinary literary debut, as mesmerizing as it is
heartbreaking . . . Bush is an amazing storyteller, by turns
harrowing and tender, and no matter how difficult the journey, she
never lets us lose sight of the two young cousins who are the
beating hopeful loving heart of this triumphant must-read
novel.”—Junot Díaz
“You’ll root for Ibrahimah at every heart-wrenching turn as Bush
explores his world and the difficult choices his family makes for
the sake of honor and tradition.”—Melissa Rivero, author of The
Affairs of the Falcóns
“A transporting and beautifully written novel, No Heaven for Good
Boys is a testament to the power of friendship and the tenacity of
the human spirit.”—Jasmin Darznik, author of Song of a Captive
Bird
“A propulsive and captivating novel . . . The characters are fully
realized and empathetically rendered; I was rooting for Ibrahimah
and his family from page one. I’m so glad that Bush has told this
story.”—Mandy Berman, author of The Learning Curve
“A captivating story of modern-day Senegal, beautifully written,
wonderfully told.”—David Updike, author of Old
Girlfriends
“A tale of resilience and survival.”—The Millions
“[A] powerful, Dickensian debut novel . . . Bush is a born
storyteller, who knows how to speak in the language of the boys she
brings to life. They are hungry and they want love—the latter being
the word most often used in this devastating,
drawn-from-real-events story.”—Literary Hub
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