Frank Hauser was a drama producer for the BBC and formed the Meadow Players at Oxford. He was director of the Oxford Playhouse for 16 years, during which many of his productions were subsequently seen in London and New York. Russell Reich is a writer, creative director, and coauthor of Notes on Cooking and Notes on Teaching. He is a former visiting artist-in-residence at Harvard University, artistic associate at the Circle Repertory Company in New York, member of the Circle Rep Director's Lab, and founding artistic director of the Holmdel Theatre Company. He lives in New York.
"This book is a gem witty and full of insight. It should be
compulsory reading for every aspiring director." Dame Judi
Dench
"This book is so sensible, so straightforward, so complete, and so
'right' that somebody might think it was not serious. They would be
wrong." Playwright Edward Albee, 3X Pulitzer Prize Winner
"The next best thing to working with Frank Hauser is to read his
book. His wise and pithy observations on acting and rehearsing
don't age, reminding me how much I have learned from him." Sir Ian
McKellen
"Excellent bookI've dipped everywhere, always with profit and
pleasure. Very attractive book, too." Sir Tom Stoppard
"This book is filled with smart, useful, thoughtful advice, born of
years of service to an elusive craft. How rare it is for two of our
own to talk so shrewdly, candidly and succinctly about the process
of making a production. I learned a lot from this remarkably
straightforward book, and I debated with it. It is invaluable."
Director Mark Lamos
"It's a testament to the value of these modestly titled Notes that
they go far beyond their wonderful applicability to the staging of
a play or the creation of a film. This book will be a delightful
read for nearly anybody, filled as it is with humor and life
lessons, and the priceless insight of two keen observers of human
behavior." Scenic Designer Robin Wagner, Multiple Tony Award
Winner
"Blunt, funny, utterly relevant, amazingly illuminating. I've never
read anything that taught me more about the theater in so short a
space . . . deserves to earn at least a million dollars, if not a
Nobel Peace Prize." Terry Teachout, Drama Critic, The Wall Street
Journal
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