About the Author

Robert Macfarlane is the bestselling author of Mountains of the Mind, The Wild Places, The Old Ways, Landmarks and Underland. He is also co-creator of The Lost Words, with Jackie Morris, and Ness, with Stanley Donwood. His work has won multiple awards including most recently the Wainwright Book Prize 2019. He is a Fellow of Emmanuel College, Cambridge, and writes on environmentalism, literature and travel for publications including the Guardian, the Sunday Times and The New York Times.

Jackie Morris has written and illustrated over forty children's books, including Song of the Golden Hare and Tell Me A Dragon, which have collectively sold more than a million copies worldwide. She is co-creator of The Lost Words, for which she won a Kate Greenaway Medal, and most recently introduced and illustrated a new edition of Barbara Newhall Follett's lost classic The House Without Windows.

Robin Sachs (1951-2013), actor and narrator, was raised in London and trained at the Royal Academy of Dramatic Art. His audiobook narrations earned ten Earphones Awards. His acting credits include Alias, Buffy the Vampire Slayer, Dynasty, Nowhere Man, Babylon 5, Diagnosis Murder, Galaxy Quest, Northfork, Ocean's 11, The Lost World: Jurassic Park, and Megalodon.

Reviews

"The Old Ways celebrates the civility of paths, thin lines of tenacious community threaded through an 'aggressively privatized world.' There is something sustaining about that tenacity, and something humbling too...We are, after all, just passers--by." -- "New York Times Book Review "

"A beautifully composed new book about walking and the imagination...Macfarlane doesn't just observe, he participates and he has the prose to recreate the intensity of life for the reader...Sentence after sentence delivers thrilling perception...Macfarlane himself is the most observant, imaginative, and accomplished wayfarer we have."
-- "Evening Standard (London) "

"A magnificent and beautiful book, the best Macfarlane has written. The Old Ways shows that landscape is more than a route to understanding; it actually is understanding, at least when known and felt in that material-ethereal way of which Macfarlane is the master."-- "Adam Nicolson, award-winning author"

"A magnificent meditation on walking and writing...This is not a book about the history of pedestrianism nor the outward bound movement but something consciously set much higher than that: a sequence of sixteen long meditations on the place of walking in human consciousness, each set in a different, sparklingly realized stretch of the world."
-- "Telegraph (London) "

"From the very first page...you know that the most valuable thing about The Old Ways is going to be the writing...I found myself hoarding images like trophies as I turned the pages...It is like reading a prose Odyssey sprinkled with imagist poems...You never get the feeling that the poetry is being used to prettify what he sees. His omnivorous eye takes in everything, and his camera-shutter brain records it."
-- "Sunday Times (London) "

"Here is a book by a writer who, above almost everything else, and most valuably, is an enthusiast about what it means to put one foot in front of the other...Fine writing--in the sense of precise, careful, and original prose; lyrical without being pretentious--does exist. Macfarlane is an example of it. His virtuosity isn't unobtrusive...You see these trees and pathways, you hear those birds. And there really are few prose writers who take such a poet's care with cadence...A book about what we put into landscape, and what it puts into us. If you submit to its spell you finish it in different shape than you set out: a bit wiser, a bit lonelier, a bit happier, a whole lot better informed."
-- "Spectator (London) "

"I am a longstanding admirer of Robert Macfarlane's work, and I was enthralled by this new book--again, a marvelous marriage of scholarship, imagination, and evocation of place. I read him for vicarious experience--he takes me to places I can never visit, never could have visited. He creates for his readers landscapes in the mind, and the largesse of his references sends you off into all kinds of ancillary reading. I always feel exhilarated after reading Macfarlane."-- "Penelope Lively, prizewinning author"

"I don't give blurbs but I have to make an exception for Robert Macfarlane. He seems to know and have read everything, he steadily walks and climbs through places that most of us would shy away from and his every sentence rewrites the landscape in language crunchy and freshly minted and deeply textured. He never takes a short cut and he makes the long road seem like life itself. Surely the most accomplished (and erudite) writer on place to have come along in years."-- "Pico Iyer, acclaimed travel writer"

"In the Romantic tradition, Macfarlane connects inner with outer and shows how place and mind interpenetrate...He grapples objectively with facts...and is a respectful user of cartography, archeology, and natural history. But he is also fascinated by himself, his pleasures, fears, tiredness, and the state of his feet. He is equally alert to the human history associated with these walks."
-- "Independent (London) "

"In this intricate, sensuous, haunted book, each journey is part of other journeys, and there are no clear divisions to be made...The walking of paths is, to [Macfarlane], an education, and symbolic, too, of the very process by which we learn things: testing, wandering about a bit, hitting our stride, looking ahead and behind...This is a spacious and inclusive book, which allows for many shifts in emphasis, and which, like the best paths, is always different when you go back to look at it again."
-- "Guardian (London) "

"In Macfarlane, British travel writing has a formidable new champion...Macfarlane's recklessly poetic and sometimes almost mystical speculations are always very firmly rooted in the precision of his observation and reporting and irrigated by the wide variety of different interests he brings to his book...[He] can also tell a good story and is companionable and funny...Above all, perhaps, Macfarlane brings to his books his love and knowledge of the natural world, and so cross-fertilizes the rich till of his travel writing with the loam of another very English tradition of observational literature: nature writing...He is poetic and lyrical in his approach to the natural world but can also be precise and scientific...Macfarlane is read above all for the beauty of his prose and his wonderfully innovative and inventive way with language...He stoops with unerring accuracy on his prey--the perfect image, the most elusive metaphor--and he can write exquisitely about anywhere."-- "Observer (London) "

"Macfarlane (The Wild Places) returns with another masterful, poetic travel narrative...Breathtaking."-- "Kirkus Reviews (starred review) "

"Macfarlane immerses himself in regions we may have thought familiar, resurrecting them newly potent and sometimes beautifully strange. In a moving achievement, he returns our heritage to us."-- "Colin Thubron, New York Times bestselling author"

"Narrator Robin Sachs sets an entrancing tone for the essays, luxuriating in the scenic descriptions and poetic language. Sachs will have listeners enchanted by historical details, smiling at the people met along the way, and cringing at the harsh realities of nature. Sachs gives each speaker a perfect accent, infusing every word and sentence with remarkable beauty. The essays are uplifting yet realistic, awe inspiring, eerie, and filled with so many details that memory retention would be difficult without the print version. For a simply enjoyable listening experience, this audiobook is a treat. Winner of AudioFile Earphones Award."-- "AudioFile"

"The author's love of the land and his elegant use of metaphor make for a moving book that anyone who loves being part of nature will treasure."-- "Library Journal (starred review)"

Walking is an intimate way to experience a landscape because it proceeds at a pace that lets travelers contemplate nature, history, and self. In his travels around Great Britain and other countries, Macfarlane (English, Univ. of Cambridge; The Wild Places) follows a variety of old paths (called "ways") on both land and sea, some that date back thousands of years. This highly readable narrative weaves together landscape, local history and myth, art, literature, natural history, ritual, and the internal dialog familiar to any who have spent time alone in nature. The people he meets and the places he visits are luminous and extraordinary in the retelling as Macfarlane explores the idea of place and of self as well as the close relationship between the two. The book closes with a brief biography of fellow path walker and author Edward Thomas (1878-1917), from whom Macfarlane draws inspiration throughout the work. VERDICT The author's love of the land and his elegant use of metaphor make for a moving book that anyone who loves being part of nature will treasure.-Sheila Kasperek, North Hall Lib., Mansfield Univ. of PA (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.