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Organ and Harpsichord Music by Women Composers
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Table of Contents

Introduction Codes for Instruments and Musical Terms and Codes for Miscellaneous Terms Organ and Harpsichord Music by Women Composers Instrumentation Index Title Index Publishers and Libraries Record Companies Composers' Biographies (With Addresses) Chronological Listing of Composers by Country Sources/Further Reading Appendixes

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Intended to document unfamiliar repertoire for the organ and harpsichord and to open avenues for further research, this exhaustive reference work catalogues music for organ or harpsichord with and without instruments, voices, and choirs by more than 700 women composers from some 40 countries.

About the Author

ADEL HEINRICH is Professor Emeritus of Music at Colby College. She has composed many works, including the conclusion for the unfinished Quadruple Fugue from the Art of Fugue by Bach, premiered for the Riemenschneider Bach Institute in Ohio, and published in Bach. She was selected as the International Musician of the Year by the International Biographical Center in London for 2003.

Reviews

"Adel Heinrich's book . . . is a long overdue project, one that is much needed. It is a welcome addition to scholarly research."- William Sprigg Professor of Music Emeritus Hood College

"Dr. Heinrich's painstaking and exhaustive research has resulted in a book that will grow in popularity as it becomes known. It is not only vastly informative, it is timely. The contributions of women in the music profession are receiving more and deserved attention, and this wonderful resource work can only enhance the effort. There are many interesting discoveries to be made even when casually perusing the book, and many persons will find intriguing new repertoire suggestions and facts never before published."-Frederick Swann Director of Music and Organist The Crystal Cathedral, Garden Grove, California

"Timely in topic, well-researched, thoroughly and practically indexed, this book is bound to be mind-expanding to those who use it. There is much more within its covers than is actually suggested by the title--choral directors and church musicians will find it a must for inclusion of solo vocal and choral works with organ or harpsichord accompaniment. A music planner's delight!"- Max Miller Chairman of the Organ Department Dean for Academic Affairs, School for the Arts Boston University

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