Table of Contents
I. Towards Multiple Theories of Music Revival
1. An Introduction to Music Revival as Concept, Cultural Process,
and Medium of Change
Juniper Hill and Caroline Bithell
2. Traditional Music, Heritage Music
Owe Ronström
3. An Expanded Theory for Revivals as Cosmopolitan Participatory
Musicmaking
Tamara Livingston
II. Scholars and Collectors as Revival Agents
4. Antiquarian Nostalgia and the Institutionalization of Early
Music
John Haines
5. A Folklorist's Exploration of the Revival Metaphor
Neil V. Rosenberg
6. A Participant-Documentarian in the American Instrumental Folk
Music Revival
Alan Jabbour
III. Intangible Cultural Heritage, Preservation, and Policy
7. Reviving Korean Identity through Intangible Cultural
Heritage
Keith Howard
8. Music Revival, Ca Trù Ontologies and Intangible Cultural
Heritage in Vietnam
Barley Norton
9. The Hungarian Dance House Movement and Revival of Transylvanian
String Band Music
Colin Quigley
IV. National Renaissance and Postcolonial Futures
10. National Purity and Postcolonial Hybridity in India's Kathak
Dance Revival
Margaret Walker
11. Choreographic Revival, Elite Nationalism and Regional
Appropriation in Senegambia, 1930-2010
Hélène Neveu Kringelbach
12. Revived Musical Practices within Uzbekistan's Evolving National
Project
Tanya Merchant
13. Two Revivalist Moments in Iranian Classical Music
Laudan Nooshin
14. Reclaiming Choctaw and Chickasaw Cultural Identity through
Music Revival
Victoria Levine
V. Recovery from War, Disaster, and Cultural Devastation
15. Revivalist Articulations of Traditional Music in War and
Post-War Croatia
Naila Ceriba%si?
16. Cultural Rescue and Musical Revival among the Nicaraguan
Garifuna
Annemarie Gallaugher
17. Toward a Methodology for Research into the Revival of Musical
Life after War, Natural Disaster, Bans on all Music, or Neglect
Margaret Kartomi
VI. Innovations and Transformations
18. Innovation and Cultural Activism through the Re-imagined Pasts
of Finnish Music Revivals
Juniper Hill
19. Revival Currents and Innovation on the Path from Protest Bossa
to Tropicália
Denise Milstein
20. Bending or Breaking the Native American Flute Tradition?
Paula Conlon
21. Towards an Application of Globalization Paradigms to Modern
Folk Music Revivals
Britta Sweers
VII. Festivals, Marketing, and Media
22. Contemporary English Folk Music and the Folk Industry
Simon Keegan-Phipps and Trish Winter
23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual
Morality, Fertility, and Contemporary Ukrainian Femininity
Adriana Helbig
24. Trailing Images and Culture Branding in Post-Renaissance
Hawai'i
Jane Freeman Moulin
25. Grassroots Revitalization of North American and Western
European Instrumental Music Traditions from Fiddlers Associations
to Cyberspace
Richard Blaustein
VIII. Diaspora and the Global Village
26. Georgian Polyphony and its Journeys from National Revival to
Global Heritage
Caroline Bithell
27. Irish Music Revivals Through Generations of Diaspora
Sean Williams
28. Reviving the Reluctant Art of Iranian Dance in Iran and in the
American Diaspora
Anthony Shay
29. Musical Remembrance, Exile, and the Remaking of South African
Jazz (1960-1979)
Carol Ann Muller
Afterword
30. Re-flections
Mark Slobin
Caroline Bithell is Senior Lecturer in Ethnomusicology at the
University of Manchester, UK. Her work on Corsican music has
appeared across a range of edited volumes and journals. Her first
monograph, Transported by Song: Corsican Voices from Oral Tradition
to World Stage, was published by Scarecrow Press (2007). Her edited
collection, The Past in Music, appeared as a special issue of the
journal Ethnomusicology Forum
(2007). Her new monograph, A Different Voice, A Different Song:
Reclaiming Community through the Natural Voice and World Song, is
published by Oxford University Press (2014). Her current research
focuses on Georgian polyphony, intangible cultural
heritage, and cultural tourism.
Juniper Hill is Lecturer in Music at University College Cork,
Ireland, and Research Associate at the University of Cambridge, UK.
The recipient of two Fulbright Fellowships, a Marie Curie
Intra-European Fellowship, an Alexander Von Humboldt Fellowship,
and a University of California Faculty Fellowship, she has
conducted fieldwork in Finland, South Africa, the United States,
and Ecuador. She has published in the journals Ethnomusicology,
Ethnomusicology Forum, Musiikin
Suunta, Pacific Review of Ethnomusicology, Revue de Musicologie,
and Yearbook for Traditional Music as well as in edited volumes
such as Musical Imaginations (OUP 2012). Her monograph Becoming
Creative: Insights from Musicians
in a Diverse World is forthcoming from Oxford University Press.
Ask a Question About this Product More... |