Contents Title Introduction Section 1: i. Performance and Performing ii. Performers iii. Spectating iv. Some literature about performances in Africa Section 2: i. Debating the performance arts in Africa ii. Disguise and transformation(s) iii. The Global Context: more practices, more debates iv. Radical Moves: decentralised and empowering v. Performance and creativity Bibliography.
Frances Harding is Lecturer in African Drama at the School of Oriental and African Studies, London. She has taught n many different countries in Africa and is the author of a range of article on African theatre.
"This anthology is a rich collection illustrating the variety of
African performance traditions and the often very fine work that
has been done on them.."
-Jonathan Haynes, Southampton College
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