Contents
Foreword
Acknowledgments
Introduction: From Seinfeld to Obama: Millennial Masculinities in
Contemporary American Culture / Marc E. Shaw and Elwood Watson
Part 1. Masculinities and the Market: Late Capitalism and Corporate
Influence on Gender Processes
1. Masters of Their Domain: Seinfeld and the Discipline of Mediated
Men's Sexual Economy / C. Wesley Buerkle
2. Sexually Suspect: Masculine Anxiety in the Films of Neil LaBute
/ Brenda Boudreau
3. The Might of the Metrosexual: How a Mere Marketing Tool
Challenges Hegemonic Masculinity / Margaret C. Ervin
4. Fathers, Sons, and Business in the Hollywood "Office Movie" /
Latham Hunter
Part 2. Beyond Gender Alone: Defining Multidimensional
Masculinities
5. Popular Memory, Racial Construction, and the Visual Illusion of
Freedom: The Re-mediation of O.J. and Cinque / John Kille
6. Obama's Masculinities: A Landscape of Essential Contradictions /
Marc E. Shaw and Elwood Watson
7. The Male Rapunzel in Film: The Intersections of Disability,
Gender, Race, and Sexuality / Johnson Cheu and Carolyn Tyjewski
8. Masculinities in Dating Relationships: Reality and
Representation at the Intersection of Race, Class, and Sexual
Orientation / Jimmie Manning
9. "Do You Have What It Takes to Be a Real Man?": Female-to-Male
Transgender Embodiment and the Politics of the "Real" in A Boy
Named Sue and Body Alchemy / Michel J. Boucher
Contributors
Index
Creating gender on page, stage, and screen
Elwood Watson is Professor of History, African American Studies,
and Gender Studies at East Tennessee State University. He is author
of Outsiders Within: Black Women in the Legal Academy after Brown
v. Board.
Marc E. Shaw is Assistant Professor of Theatre Arts at Hartwick
College. His recent publications include contributions to the book
Twilight and Philosophy.
"Performing American Masculinities focuses usefully on a range of specific anxieties related to masculinity, including those created by differences of race and sexuality, as well as of non-normative gender subjectivities." David Buchbinder, Curtin University of Technology "Performing American Masculinities offers a series of essays on representations of masculinity across a range of contemporary popular cultural texts. The essays in the collection assess a broad range of cultural artefacts all produced in a relatively short time frame (roughly 1990-2010)... All of the essays offer sustained close readings of the cultural texts/formations that constitute their primary objects. These readings are, more often than not, thorough and engaging. In almost every instance, the value of the cultural objects under study to the subject of contemporary masculinities is apparent. In this, the volume provides a useful introduction to the contemporary cultural formations of masculinity." - Hamilton Carroll, Journal of American Studies, November 2012
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