Table of Contents

Introduction
Musical Institutions on the Home Front
The Origins of Wartime Musical Propaganda: From the Written Word to Performing Globe-Trotters
Saint-Saëns's Germanophilie as a Propaganda Prototype
Propaganda on the Concert Stage: the Matinées Nationales
Creativity and Compromise at the Opéra
Music Publishing and the Édition Française de Musique Classique
Conclusion
Bibliography

About the Author

RACHEL MOORE is Lecturer in Music, Cardiff University.

Reviews

[A] fascinating, often surprising, and rigorously researched account of a critical moment in French history. It will be a welcome addition to the shelves of music scholars, cultural historians, and university libraries.
*NOTES, THE QUARTERLY JOURNAL OF THE MUSIC LIBRARY ASSOCIATION*