Introduction Musical Institutions on the Home Front The Origins of Wartime Musical Propaganda: From the Written Word to Performing Globe-Trotters Saint-Saens's Germanophilie as a Propaganda Prototype Propaganda on the Concert Stage: the Matinees Nationales Creativity and Compromise at the Opera Music Publishing and the Edition Francaise de Musique Classique Conclusion Bibliography
RACHEL MOORE is Lecturer in Music, Cardiff University.
[A] fascinating, often surprising, and rigorously researched account of a critical moment in French history. It will be a welcome addition to the shelves of music scholars, cultural historians, and university libraries. -- Julianne Lindberg * NOTES, THE QUARTERLY JOURNAL OF THE MUSIC LIBRARY ASSOCIATION *