Table of Contents

Introduction Musical Institutions on the Home Front The Origins of Wartime Musical Propaganda: From the Written Word to Performing Globe-Trotters Saint-Saens's Germanophilie as a Propaganda Prototype Propaganda on the Concert Stage: the Matinees Nationales Creativity and Compromise at the Opera Music Publishing and the Edition Francaise de Musique Classique Conclusion Bibliography

About the Author

RACHEL MOORE is Lecturer in Music, Cardiff University.

Reviews

[A] fascinating, often surprising, and rigorously researched account of a critical moment in French history. It will be a welcome addition to the shelves of music scholars, cultural historians, and university libraries. -- Julianne Lindberg * NOTES, THE QUARTERLY JOURNAL OF THE MUSIC LIBRARY ASSOCIATION *