D. Fox Harrell is the leading scientist of the human mind in the digital age. Phantasmal Media is a major advance in the study of the human imagination. Harrell's brilliance, learning, wit, and charm make it a great pleasure to read. -- Mark Turner, Institute Professor and Professor of Cognitive Science, Case Western Reserve University Fox Harrell's bold and audacious view of the relationship between computing and the imagination blends a very broad range of multicultural references with perspectives from the sciences, humanities, and arts to present an unprecedented vision of how people and machines can come together to forge not only new software systems, but a new ethics and politics of the human condition. This is what a groundbreaking book looks like. -- George E. Lewis, Columbia University Deftly operating at the productive intersection of computational design, cognitive science, and expressive media, Phantasmal Media draws attention to the profound involvement of human imagination in the encounter with information technology. In doing so, it provides a new basis for understanding human-computer interaction and artificial intelligence, one that places ideation and ideology at the center and, in doing so, profoundly troubles questions of representation and agency at the heart of computational practice. It is inspiring, intriguing, and, yes, haunting. -- Paul Dourish, Professor, Department of Informatics, University of California, Irvine
D. Fox Harrell is Associate Professor of Digital Media at MIT.
Harrell's book, Phantasmal Media, published this week by MIT Press,
outlines an approach to analyzing many forms of digital media that
prompt these images in users, and then building computing
systems—seen in video games, social media, e-commerce sites, or
computer-based artwork—with enough adaptability to let designers
and users express a wide range of cultural preferences, rather than
being locked into pre-existing options.—MIT news
...profoundly ambitious and wildly eclectic Phantasmal Media will
likely find a wide audience among artists and technologists
alike.—John Harwood, Artforum
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