Table of Contents

Allemande (from L'art de toucher le clavecin) (Couperin); Adagio (2nd movt from Sonata in B minor, H132, Wq 62/22) (Bach); Finale (3rd movt from Sonata in C major, Hob. XVI:35) (Haydn); Impromptu (Farrenc); Ivan Is Very Busy (Khachaturian); Stamping Dance (from Mikrokosmos, Sz. 107, vol. 5) (Bartók); Galop final (from 11 pezzi infantili) (Casella); Prayer of the Matador (from Lyric Pieces for the Young) (Dello Joio); Lullaby for Oscar (le Fleming); Jazzin' Grace (Wilkinson); Terminal 2 (Bera-Tagrine); Epilogue (5th movt from Tāwāhi) (Huang-Hsu)

Reviews

.…when it comes to syllabus design that supports educational and musical excellence, it now seems to me that TCL have delivered the new number one choice, a syllabus that ticks every box. Welcome to the new “Gold Standard".
Andrew Eales, pianodao.com, August 2020 The exceptionally wide-ranging, new piano syllabus launched by Trinity last week goes out of its way to provide maximum flexibility and opportunity for candidates to flourish. The two-list format is quite different from ABRSM, and even though numerous pieces in both boards interchange and connect from grade to grade, the current Trinity list prioritises flexibility and freedom of choice to an exceptional extent. The sheer number of choices on offer is staggering, and though past syllabus material is present, the fact that candidates themselves have not known the music previously means that they are presented throughout the whole selection with an extremely diverse and contrasted range.
Murray McLachlan, European Piano Teachers Association, August 2020