Sonya Petersson is a postdoctoral researcher and senior lecturer at the Department of Culture and Aesthetics, Stockholm University. She received her PhD in art history (2014) and is currently working on the research project Graphic Illustration: Concepts and Combined Mediality from the Point of View of Mechanical Reproduction (2016-2018). ORCID: https: //orcid.org/0000-0003-1335-1080 Christer Johansson is a research officer and senior lecturer at the Department of Culture and Aesthetics, Stockholm University. He received his PhD in literary studies (2008) and is currently working on the research projects Concepts of Mediality: A Metatheoretical Investigation of Intermedial Studies and Media Theory and The Materialised Word: Medium and Meaning in Eyvind Johnson's Prose Fiction. ORCID: https: //orcid.org/0000-0002-5350-6916 Magdalena Holdar is senior lecturer in art history at the Department of Culture and Aesthetics, Stockholm University. Former director of its Curating Art international master's programme, her research involves the performative aspects of art, exhibition making, and the curatorial. Currently, she is investigating Fluxus from the perspective of its organization as a transnational network. ORCID: https: //orcid.org/0000-0003-3452-1050
Introduction (Christer Johansson and Sonya Petersson)PART ONE: ARTEFACTS In between Life and Death: Sophie Calle's Rachel, Monique (2014) (Jørgen Bruhn and Henriette Thune) The Intersection between Film and Opera in the 1960s: Ingmar Bergman's Hour of the Wolf as an Example of Formal Imitation (Johanna Ethnersson Pontara) Figures of Migration: Intertextuality in Michelangelo's Night (Peter Gillgren) The Unlimited Performativity of Instruction Art: Space Transformer by Yoko Ono (Magdalena Holdar) From Folk Tale to Photomontage: A Transformation through a Stage Performance (Rikard Hoogland)Today's Cake is a Log: Remediating the Intermediality of Hotel Pro Forma's Works in an Exhibition (Daria Skjoldager-Nielsen and Kim Skjoldager-Nielsen)PART TWO: NETWORKSPanoramic Visions: Sven Hedin in "Transhimalaya" 1906-1909 (Staffan Bergwik)The Lithographic Album 1873: Reproductive Media and Visual Art in the Age of Lithographic Reproduction (Anna Dahlgren)Stages of Consumerism: Mass Advertising and Children's Literature in Early Twentieth-Century Sweden (Elina Druker)Mediating Public Cultural Policy: Buildings, Bills, and Films as Governmentality (Fredrik Krohn Andersson)PART THREE: CONCEPTS"The Analogue" Conceptual Connotations of a Historical Medium (Sara Callahan)Unfixing the Concept of Illustration: Its Historiographical Ambivalence and Analytical Potential (Sonya Petersson)Song as Event: On Intermediality and the Auditory (Erik Wallrup)Old and New Media: On the Construction of Media History (Christer Johansson)
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