Table of Contents

Introduction
a. The Scholarly Search for a 'Historical' Muhammad
b. A New Paradigm: A 'Metaphorical' Muhammad
c. Surveying the Sources: Islamic Texts and Images
Chapter One: Textual Picturations
a. Prophetic Traces: Qur'an and Hadith
b. In the Eye of His Beholders: Biographies of the Prophet
c. Chronicling the Prophet: Universal Histories
d. Descriptions and Proofs: Shama'il and Dala'il Texts
e. In Praise of the Prophet: Persian Eulogistic Poems
f. Prophetic Devotions: Rituals and Festivals
Chapter Two: Imaged Narrations
a. First Appearances: Varqa va Gulshah and Marzubannama
b. Historical Cycles: Bal'ami, Rashid al-Din, and Hafiz-i Abru
c. Sectarian Twists?: Biruni, Ibn Husam, and Varamini
d. Pictured Biography: The Ottoman Siyeri Nebi
e. Biography to Hagiography: Other Illustrated Chronicles
Chapter Three: Books of Ascension
a. Illustrated Bio-Apocaylpses: Why Books of Ascension?
b. A Sunni Devotional Tale: The Ilkhanid Mi'rajnama
c. Muhammad's Missions: The Timurid Mi'rajnama
d. The Rising Monarch: SinglePage Mi'raj Paintings
e. A Shi'i Vademecum: The Qajar Illustrated Mi'rajnama
f. A Prophet for Children: Qajar Lithographed Books on the Mi'raj
Chapter Four: Prophetic Vestiges
a. Transmitting Baraka: Muhammad's Relics
b. A Special Case: The Prophet's Footprints
c. Pilgrimages to the Prophet: Muhammad's Tomb
d. A Long Line to Adam: The Prophet's Genealogies
e. Verbal Paintings: Hilyes of the Prophet
f. Pictured Relics: Illustrated Prayer Books and Treatises
Chapter Five: Prophetic Metaphors
a. Divine Transmission: The Word
b. Primordial Being: The Light
c. An Unseen Secret: The Veil
d. A Sacred Pivot: The Pole of Existence
e. Blossoming Revelation: The Flower
f. From Scent to Color: The Rose
Chapter Six: Muhammad in Modernity
a. The Die is Cast: The Danish Cartoon Controversy
b. Back to the Drawing Board: Islamic Popular Prints and Posters
c. A Curious Photograph: The Young Muhammad
d. "We Love Muhammad": Children's Books and Animated Movies
e. Tradition Revised: The 2008 Ascension Mural in Tehran
f. What Now?
Conclusion
Glossary of Terms
Master Bibliography
Index

About the Author

Christiane Gruber is Associate Professor of Islamic Art at the University of Michigan. She is editor of The Islamic Manuscript Tradition (IUP 2009) and (with Frederick S. Colby) of The Prophet's Ascension: Cross-Cultural Encounters with the Islamic Mi'raj Tales (IUP, 2009) and author of The Timurid Book of Ascension (Mi'rajnama): A Study of Text and Image in a Pan-Asian Context and The Ilkhanid Book of Ascension: A Persian-Sunni Prayer Manual.

Reviews

"Christiane Gruber charts a territory that no serious monograph has addressed before. It will be the definitive study of the visual and material devotion to Muhammad."—Omid Safi, author of Memories of Muhammad: Why the Prophet Matters

"The Praiseworthy One is an amazing manuscript that demonstrates Christiane Gruber's mastery of both medieval and modern sources, including those traditionally assigned to art history, Islamic mystical studies, and contemporary political debates on Islamic iconoclasm. She draws on the literature from both the Turkish- and Persian- speaking areas of the Islamic world from the 13th century to the present, concluding with a discussion of an exhibition in London in 2015. Every student of Islamic art history, Islamic history, and even Islamic religious studies needs to read her work."—Jere L. Bacharach, author of Islamic History Through Coins: An Analysis and Catalogue of Tenth-Century Ikhshidid Coinage

"Addressing the full range of the Prophet Muhammad's textual and visual representations, Gruber's masterful book examines the cultural imaginary that grew around "the Praiseworthy One" and its adaptations to meet the changing needs, beliefs, values, and concepts of Islamic communities across time and space. The book engages a staggering variety of literary and visual genres, which encompass descriptive, pictorial, diagrammatic and iconic modes, among others. The Praiseworthy One remains throughout judicious in its scholarship and thought provoking in its interpretations and implications. Gruber's book represents the culmination of years of research on the topic and establishes in its depth and approach a new benchmark for broader studies on Islam and the image."—David J. Roxburgh, author of The Persian Album 1400-1600: From Dispersal to Collection