It was Paula's mother who had the brilliant idea of digging the holes. My mother said that the State of Guerrero was turning into a rabbit warren with young girls hiding all over the place...
Jennifer Clement was born in 1960 and has lived in Mexico since 1961. She is a graduate of New York University. She is the author of the memoir Widow Basquiat and two novels- A True Story Based on Lies, longlisted for the Orange Prize and The Poison That Fascinates. She is also the author of several books of poetry, and is co-founder and director of the San Miguel Poetry Week. Jennifer Clement was awarded the National Endowment of the Arts (NEA) Fellowship for Literature 2012. She was also President of PEN Mexico from 2009 to 2012 and is a member of Mexico's prestigious Sistema Nacional de Creadores. She lives in Mexico City.
The theme of Prayers for the Stolen is the wanton violence
inflicted on women and the destruction of communities as a result
of the drug trade in Mexico, but Clement's eye for the revealing
detail, the simple poetry of her language and the visceral
authenticity of her characters turn that deadening reality into a
compelling, tragically beautiful novel -- Yann Martel
A moving novel narrated by an open-hearted teenage girl growing up
in the borderlands of Mexico controlled entirely by the drug
cartels. Lyrical, disturbing and not without optimism, this work
deserved far more acclaim when published last year -- Kazuo
Ishiguro * New Statesman *
Prayers For The Stolen is stark and brutal, but not without
happiness. "Mexico is a warren of hidden women", says Jennifer
Clement. This book is a way of seeing them * Stylist *
Every sentence in Prayers for the Stolen is direct, potent,
unexpected; twisting on the page like a knife in the gut... This
work also gives us all of a novel's pleasures - a story laden with
significance and drama and meaning, a keen feeling of relationship
between reader and characters, a fully realised world through which
we may roam -- Kirsty Gunn * Guardian *
[Clement] shows the black comedy in the details and the emergency
in the broader picture -- Gaby Wood * Telegraph *
Bleak, but beautifully written... Clement's prose is luminous and
startlingly original. The sentences are spare and stripped back,
but brilliantly manage to contain complex characters and intense
emotional histories in a few vividly poetic words. Her portrayal of
modern Mexico is heartbreaking; a dangerous and damaging
environment for women, but her portrait of Ladydi and her refusal
to be one of the lost girls is defiantly bold and bravely
uncompromising -- Eithne Farry * Sunday Express *
Ladydi's irreverent voice sings off the page and there are laughs
to be had as she relates her mother's drunken wisdom and seeks to
find a way to live -- Cathy Retzenbrink * Metro *
Despite its violent premise, this is a darkly comic read with one
of the funniest, most touching narrators in years, highlighting a
very real issue in a remarkably fresh way. An inspiring story of
female resilience * Psychologies *
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