Contents
List of Figures
Preface
Notes on Contributors
Abbreviations
1 Toward an Anthropology of Print
Edward Wouk
2 From Print to Paint and Back Again: Painting Practices and Print
Culture in Early Modern Antwerp
Alexandra Onuf
3 Prints as Paintings: Willem van de Velde the Elder (1611–1693)
and Dutch Pen Painting circa 1650–65
Lelia Packer
4 Between Paper and Sword: Daniel Hopfer and the Translation of
Etching in Reformation Augsburg
Freyda Spira
5 Hunting Erotica: Print Culture and a Seventeenth-Century Rifle in
the Collection of the Hessisches Landesmuseum, Darmstadt
Jonathan Tavares
6 Mantegna’s Battle of the Sea Gods: the Material and Thematic
Interaction of Print and Sculpture
Patricia Simons
7 Making Time and Space: Collecting Early Modern Printed
Instruments
Suzanne Karr Schmidt
8 The State of the Fashion Plate, circa 1727: Historicizing Fashion
Between ‘Dressed Prints’ and Dezallier’s Recueils
David Pullins
9 The Concettismo of Triumph: Maerten van Heemskerck’s Victories of
Charles V and Remembering Spanish Omnipotence in a late
Sixteenth-Century Writing Cabinet
Arthur J. DiFuria
10 St. Michael the Archangel: Spiritual, Visual and Material
Translations from Antwerp to Lima
Stephanie Porras
11 Lines of Perception: European Prints and the Mughal
Kitābkhāna
Yael Rice
Bibliography
Index
Suzanne Karr Schmidt is George Amos Poole III Curator of Rare Books and Manuscripts at the Newberry Library, Chicago, USA.
Edward H. Wouk is Lecturer in European Art, 1400–1800, at The University of Manchester, UK.
Winner of an honorable mention in the 2017 IFPDA Book Award"It is a book which should be read by art historians in every field." - IFPDA Award Jury"This most recent publication is a welcome addition in a continuing reassessment of the value of prints in early modernity. ...These writers’ contributions highlight the abundant opportunities awaiting print scholars—not only for those who examine the reception of European prints in Spain and its territories, as the contributors in this volume have done, but also works produced by Hispanic engravers and artists destined for internal or external markets. As such, this is an edifying collection that offers its readers an expanded perspective of prints in the early modern period."- Renaissance Quarterly"Altogether these essays provide real and often new and important insights, full of information, on the role of prints as sources of works of art and of new visions within the global mobility of visual knowledge in the period between 1450 and 1750."- Print Quarterly"The volume boldly expands an existing dialogue in the field about the historical interchange between modern art-historical specializations, intersections between prints and other media: painting; decoration of luxury arms; scientific instrument designs – even their own literal transformation into such instruments."- Historians of Netherlandish Art Reviews
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