Table of Contents

List of Illustrations Acknowledgments Introduction 1: "The natural artist": Amos Tutuola or Faber and Faber’s The Palm-Wine Drinkard? 2: "Profitable and politically expedient?": Oxford University Press and the Three Crowns Series 1962-76 3: "In pursuit of literary gold": HEB and the African Writers’ Series 1962-67 4: The Pleasures of Exile: Publishing West Indian Writing in Postwar Britain 5: The Magic of Books: Authorship, Cultural and Symbolic Capital Notes Bibliography Index

About the Author

Gail Low teaches contemporary writing and publishing in English at the University of Dundee. She has co-edited A Black British Canon? and is the author of White Skins/Black Masks: Representation and Colonialism (Routledge, 1996).

Reviews

'The primary strength of Low's study comes through her deft handling of a range of varable material, including archival research, primary materials, manuscripts, interviews and correspondance.'- Wasafiri