The stunning sequel to the 1992 Booker-winning Sacred Hunger
Barry Unsworth was born in 1930 in Durham. He was the author of many novels, including Pascali's Island, which was shortlisted for the 1980 Booker Prize; Stone Virgin (1985); Sacred Hunger, which was joint winner of the 1992 Booker Prize; Morality Play, which was shortlisted for the 1995 Booker Prize; Losing Nelson (1999); The Songs of the King (2002); The Ruby in Her Navel (2006); Land of Marvels (2009); and The Quality of Mercy (2011), which was shortlisted for The Walter Scott Prize for historical fiction. Barry Unsworth died in 2012.
Here, immediately, you know that you are in the hands of a master .
. . There are several strands to the novel, interwoven with rare
artistry and assurance . . . Barry Unsworth does all this. The
Quality of Mercy is the work of one who is both artist and
craftsman. There is not a page without interest, not a sentence
that rings false. It is gripping and moving, a novel about justice
which is worthy of that theme. In short, it is a tremendous
achievement, as good as anything this great novelist has
written.
*Scotsman*
He is a historical novelist of a reliably old-fashioned sort: the
writer who offers a plausible recreation of a bygone age and
animates it with people whose motivations are consistent with the
tenor of their time . . . the fact that his characters never turn
into moral ciphers is one of his greatest strengths. [The Quality
of Mercy] has all these qualities in spades
*Independent*
The big theme is power . . . Unsworth's 18th-century setting finds
a correspondingly 18th-century feel in the fabric of his story: it
is deeply sentimental, at time robustly comic . . . a silkily
written potboiler, wonderfully well-realised, entirely
engrossing.
*Financial Times*
Has all its predecessor's power to shock. This novel is immediately
involving and immensely readable and may even be better than the
[Booker-winning] earlier book.
*Daily Mail*
This gripping novel . . . stands alone as yet another example of
the author's extraordinary ability to turn dry history into
dramatic narrative . . . With so much happening on the page that is
dramatic and plot-based - the many different narrative threads
eventually tie together in an entirely satisfying fashion - it
could be easy to overlook the instances of quiet psychological
transformation that give this novel its particular power.
*Sunday Times*
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