ACKNOWLEDGMENTS
Introduction: Restoring Life to Its Original Difficulty
Part One: Repetition and the Genesis of Hermeneutics
CHAPTER I. Repetition and Kinesis: Kierkegaard on the Foundering of
Metaphysics
CHAPTER II. Repetition and Constitution: Husserl's
Proto-Hermeneutics
CHAPTER III. Retrieval and the Circular Being of Dasein:
Hermeneutics in Being and Time
Part Two: Deconstruction and the Radicalization of Hermeneutics
CHAPTER IV. Hermeneutics after Being and Time
CHAPTER V. Repetition and the Emancipation of Signs: Derrida on
Husserl
CHAPTER VI. Hermes and the Dispatches from Being: Derrida on
Heidegger
CHAPTER VII. Cold Hermeneutics: Heidegger/Derrida
Part Three: The Hermenuatic Project
CHAPTER VIII. Toward a Postmetaphysical Rationality
CHAPTER IX. Toward an Ethics of Dissemination
CHAPTER X. Openess to the Mystery
List of Abbreviations
Notes
Index
Forges a closer collaboration between hermeneutics and deconstruction
". . . This book will be informative, interesting, and beneficial
for anyone who is involved with the performance of music in the
United States, whether in the field or in academe."—Lois
Kuyper-Rushing, Louisiana State University
"In this volume, Ms. Storch cleverly captures the essence of Marcel
Tabuteau, one of the finest musicians and greatest teachers of his
era and whose unique perspective profoundly influenced classical
music for generations to follow. The stories she tells about this
remarkable man are, at once, poignant, witty and right on the
mark."—John Minsker
"Everyone always said that a book ought to be written about that
unique and extraordinary man, Marcel Tabuteau. Now, at last, the
book has arrived."—Louis Rosenblatt
"[Storch's] personal descriptions of what it was like to study with
this mercurial genius are absolutely fascinating; they provide
indispensable glimpses for this generation of oboe students, not to
mention future ones."—Dan Stolper, Interlochen Centre for the
Arts
"Laila Storch's biography of Marcel Tabuteau provides a detailed
and intimate portrait of the life and artistry of the man widely
considered to be the father of the American school of oboe
playing."—The Double Reed, Vol. 33, No. 2, Summer 2010
". . . Storch's intriguing book will appeal to a broad audience,
not just oboists. Anyone interested in music will find Tabuteau's
philosophies and Storch's research beneficial and
applicable."—Choice, January 2009
"Laila Storch . . . is generous in her admiration of [Marcel
Tabuteau's] compelling artistry. She has produced a monumental
tribute to an extraordinary musician whose influence remains alive
in each generation of American oboists."—Anthony McColl, Double
Reed News, 87 Summer 2009
"[This biography is] movingly personal . . . . may prove to be one
of the most accomplished and important musical biographies of the
21st century."—Christopher Brodersen, Fanfare, 8/1/10
"Ms. Storch's style is descriptive, informative, and engaging—a
nice blend between the historical and the personal. This volume
gets my vote as the winning historical profile of one of the most
influential and revered performers and pedagogues of our
time—Marcel Tabuteau. A must for every serious musician's
library."—Linda Strommen, Indiana University
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