Leaving snowy Ohio for California, Katharine Kerr studied at Stanford University for a spell before dropping out to join some of the many social movements sweeping San Francisco in the 60s. She first became involved in the field of fantasy through role-playing games, writing articles for gaming magazines and authoring early quests for Dungeons and Dragons - all of which soon led her to fantasy writing, with her first Deverry novel, Daggerspell, appearing in 1986. Since then, her Deverry series has hit The Times and the Australian bestseller lists, garnering fans from around the world.
‘Kerr is a master of her trade… She has created a world that might
very well go on for ever, and this one reader sincerely hopes it
does’
VECTOR ‘One of the top fantasists of her generation’
INTERZONE
'Kerr is a master of her trade... She has created a world that
might very well go on for ever, and this one reader sincerely hopes
it does'
VECTOR
'One of the top fantasists of her generation'
INTERZONE
Set in Kerr's fantasy land of Deverry (Daggerspell, etc.), this launch of the Dragon Mage series imagines an archetypal clash between Good and Evil, unleashed in the forms of the astral Lords of Harmony and Havoc. The plot is woven from three chronologically distinct story lines. The atmospheric outer line, set beside Loch Ness in an unspecified medieval winter, shows the Lord of Harmony sheltering a lost hunter on a magical island. In the second story, a poor but Sighted girl of Deverry's year 1116 is caught up in the wicked Raven Woman's occult dealings with the Lord of Havoc. The wordy bulk of the novel finds its adolescent heroine, Lillobrigga, in the Deverran year 849, when the forces of Deverry's pathetic boy-king, led by Lili's parents‘earlier versions of the Raven Woman and her brother-lover‘are threatened by the rebel armies of Prince Maryn. Suffering when loyalty to her clan collides with duty to the truth, Lilli masters her burgeoning supernatural powers under the tutelage of Maryn's master magician to bring peace out of chaos. Sketchily linking the three narratives is Evandar, Lord of Harmony, who seeks to thwart the disruptive aims of his brother Havoc. This coming-of-age tale, which is strongly dependent both on previous series installments and on Kerr's amorphous theory of "thought forms," dangles so many loose threads that the entire fabric threatens to unravel time and again. Sadly, the storytelling magic promised by Kerr's Celtic trappings never comes to fruition. (Nov.)
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