Table of Contents
List of Illustrations Acknowledgements Introduction
PART I Replication in the 20th Century and the Galleria Schwarz
Chapter 1 Replication: Motivations, Terms, and Issues
Replication: Terms and Definitions
Replication: Why and When?
Multiples of the 1950s and 1960s: New Initiatives of Artists and
Dealers
The Replica's Aura: Legal and Theoretical Questions
Chapter 2 Galleria Schwarz
Arturo Schwarz: From Alexandria to Milan
The Libreria-Galleria Schwarz
Views on Dada and Surrealism
Schwarz, Breton, and Trotsky
Judaism, Kabbalah, and Alchemy
Collection and Donation
PART II Replication in the Oeuvre of Duchamp and Man Ray
Chapter 3 Duchamp: "Not an Original in the Conventional
Sense"
Duchamp and the Readymade
Duchamp and Replication
Duchamp Replicators 1950-1966
Chapter 4 Man Ray: Objects to Multiples
Multiform Man Ray
Exhibitions and Reputation
"Objects of My Affection"
Duchamp-Man Ray Creative Exchange
Replication of Man Ray’s Objects Pre-Schwarz
PART II Commissioning and Making of the Editioned Replicas
Chapter 5 Mirrorical Return: Marcel Duchamp's Editioned
Readymades
Arturo Schwarz: The Complete Works of Marcel DuchampInitial Joint
Projects: The Erotic Objects
Exhibitions at Galleria Schwarz and Commissioning of Replicas
Replication Process
Case by Case Analysis of the 1964-65 Editions
Chapter 6 The "Indestructible" Man Ray
Man Ray and Schwarz: The Rigour of ImaginationExhibitions at
Galleria Schwarz and Commissioning of Replicas
Replication Process: Case by CaseOther Editors of Man Ray’s
Objects
Chapter 7 Reception of the Editioned Replicas
Duchamp: The Value of the Readymade and its Replicas
Critical Reception of the 1964 Editions
Impact on Artists and Scholarship
Art Market History and Museum Purchasing Policies
Conclusion
Bibliography
I Unpublished Correspondence
II Interviews
III General
IV Publications by Arturo Schwarz
Appendix A Marcel Duchamp – original to replica tables
B Man Ray – original to replica tables
Adina Kamien-Kazhdan, PhD, is David Rockefeller Senior Curator, The Stella Fischbach Department of Modern Art at The Israel Museum, Jerusalem.
"Drawing on previously unpublished correspondence, documentary
materials and new interviews, this compelling and timely volume
examines the collaborative production and meaning of editioned
replicas and their impact on notions of originality, authenticity
and authorship. A must read for understanding the creative legacy
of the ready-mades!" —Dalia Judovitz, author of Drawing on Art:
Duchamp and Company
"Drawing on previously unpublished correspondence, documentary
materials and new interviews, this compelling and timely volume
examines the collaborative production and meaning of editioned
replicas and their impact on notions of originality, authenticity
and authorship. A must read for understanding the creative legacy
of the ready-mades!" —Dalia Judovitz, author of Drawing on Art:
Duchamp and Company
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