LAWRENCE WRIGHT is a staff writer for The New Yorker, a playwright, and a screenwriter. He is the best-selling author of the novel, The End of October, and ten books of nonfiction, including Going Clear, God Save Texas, and The Looming Tower, winner of the Pulitzer Prize. He and his wife are longtime residents of Austin, Texas.
"The most powerful and disturbing true crime narrative to appear
since Truman Capote's In Cold Blood." —Time
"A fantastic case reverberating with questions about the nature of
memory itself.... A thoughtful and gripping book." —The New
York Times
"This is a cautionary tale of immense value, told with rare
intelligence, restraint and compassion. Remembering Satan catapults
Wright to the front rank of American journalists." —Newsweek
"The most powerful and disturbing true crime narrative to appear
since Truman Capote's In Cold Blood." -Time
"A fantastic case reverberating with questions about the nature of
memory itself.... A thoughtful and gripping book." -The New York
Times
"This is a cautionary tale of immense value, told with rare
intelligence, restraint and compassion. Remembering Satan catapults
Wright to the front rank of American journalists." -Newsweek
This shocking cautionary tale focuses on the bizarre case of Paul Ingram, a Washington State deputy sheriff, Republican county leader and Pentecostal who was accused by his daughters Ericka and Julie of sexual abuse and of belonging to a satanic cult that allegedly included other sheriff's department members and that engaged in orgies and ritual sadistic abuse. Ingram confessed to having repeated sex with both daughters, and also to impregnating Julie at 15 and taking her to have an abortion. He subsequently retracted these statements, maintaining that all of his ``recovered memories'' were fantasies produced under pressure. Because he pleaded guilty to rape charges in 1989, he is serving a 20-year prison sentence. Yet months of investigation produced no physical evidence that any sex crimes or satanic practices ever took place, reports Wright, who leans strongly to the view that Ericka and Julie's own ``recovered memories'' were sheer fantasy. This suspenseful account of a controversial case, most of which appeared in the New Yorker , pleads for greater skepticism and caution in dealing with sex-abuse charges based on recovered memories. (Apr.)
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