Table of Contents

1 Paloma herida: Searching for Juan Rulfo in Emilio Fernández 2 Fixing the Boundaries: Juan Rulfo — Writer and Photographer 3 A Journey through Juan Rulfo’s Photography 4 Patterns of Place and Space in the Work of Juan Rulfo 5 Studium and Punctum in Juan Rulfo’s ‘Puerta del cementerio de Janitzio’ 6 Visions of Place: Yeats, Rulfo and the Noh Play 7 The Mexican Revolution: As Photographed by Juan Rulfo 8 Voice, Authority and the Destruction of Community in Cré na Cille (The Dirty Dust) by Máirtín Ó Cadhain and Pedro Páramo by Juan Rulfo 9 The Reception of Juan Rulfo’s El gallo de oro and its Cinematic Adaptations

About the Author

Dylan Brennan completed his PhD in the Centre for Mexican Studies, University College Cork.

Nuala Finnegan is Professor in the Department of Spanish, Portuguese and Latin American Studies at University College Cork where she is Director of the Centre for Mexican Studies.