Table of Contents

Section I: Factual Writing
1: Romantic Indians and their Inventors
2: Historians and Philosophes
3: War Stories and Tales from the Frontier
4: Traveller's Tales and Traders' Memoirs
5: Indian Bones and What White Men Saw in Them
Section II: British Fiction
6: Indians and the Politics of Romance
7: Native Patriarchs - Pantisocracy and the Americanization of Wales
8: The Indian Song
9: Shamans and Superstitions: 'The Rime of the Ancyent Marinere'
10: White Men and Indian Women
11: Political Indians
12: The Mission to Civilize and the Colonial Romance
Section III: Indian and Hybrid Writing
13: John Norton/Teyoninhokarawen
14: A Son of the Forest: William Apess
15: Captive, Campaigner, Conman: John Hunter
16: Kah-Ke-Wa-Quo-Na-By/Peter Jones
17: John Tanner/Shaw-shaw-wa-be-nase
18: Kah-ge-ga-gah-bowh/George Kopway

About the Author

Tim Fulford is a Professor of English at Nottingham Trent University. His research interests include the culture and literature of the late eighteenth and early nineteenth centuries, and the gistory of science and colonialism.

Reviews

Tim Fulford's subtitle reflects a fascinating series of relationships, a cultural exchange in which North American Indians play a rarely considered but, he argues, a formative role in the aesthetics and politics of Romanticism. MLR, 103.1