Table of Contents

Acknowledgments

Introduction

1. Berlin Soundscapes of Defeat and Occupation

2. Occupied Music: The Berlin Philharmonic and the American Military

3. Rubble Opera after 1945: East Berlin's Staatsoper and West Berlin's Städtische Oper

4. Embodied and Disembodied Voices: Listening to Sonic Ruins

5. Berlin 1945: Towards a Ruin Aesthetic in Music

Conclusion

Bibliography

About the Author

Abby Anderton is Assistant Professor of Music at Baruch College, City University of New York.

Reviews

This is an outstanding piece of interdisciplinary scholarship. . . . Essential. (Choice) This book strength is how successfully Anderton weaves together the narratives of musicians, directors, composers, and performers into examinations of the compositions being performed, the varied approaches to denazification across the occupied zones, and broader themes of German suffering. - Meghan Ashley Vance - Texas A&M (H-Net Humanities and Social Sciences)