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Samuel Beckett, Repetition and Modern Music
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Table of Contents

1. Music and Literature 2. Repetition in Music and Literature 3. Musico-literary Interaction in Modern Ireland and the Musical Aesthetic of Samuel Beckett 4. Beckett’s Semantic Fluidity: Repetition in the Later Work 5. Beckett and Feldman: Time, Repetition and the Liminal Space 6. Improvising Beckett: Chance, Silence and Repetition

About the Author

John McGrath is a lecturer in Music at University of Surrey.

Reviews

"This is a study of great erudition that demonstrates admirable facility and awareness of a wide range of related fields, all of which are related to one another very much in the spirit of the topic. The text is supported by a generous number of figures and musical examples and is without doubt an important contribution to the field of Word and Music Studies."Edward Campbell, University of Aberdeen

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