Rhys Hughes was born in 1966. Tartarus Press published his first collection, Worming the Harpy, in 1995, and since that time he has published more than thirty other books. His fiction is generally fantastical and his output mainly consists of short stories, though he has published several novels. His work is frequently compared to that of Boris Vian, Flann O'Brien and R.A. Lafferty, but he cites his major influences as Italo Calvino and Donald Barthelme. His three most recent books are the collections Bone Idle in the Charnel House (Hippocampus Press), Orpheus on the Underground (Tartarus Press) and Brutal Pantomimes (Egaeus Press). Fascinated by paradoxes, he incorporates them into his fiction as entertainingly as he can. Sangria in the Sangraal was inspired by a real visit to the town of Albarracín in the year 2007.
"Rhys Hughes seems almost the sum of our planet's literature... As well as being drunk on language and wild imagery, he is also sober on the essentials of thought. He has something of Mervyn Peake's glorious invention, something of John Cowper Powys's contemplative, almost disdainful existentialism, a sensuality, a relish, an addiction to the delicious. He's as tricky as his own characters... He toys with convention. He makes the metaphysical political, the personal incredible and the comic hints at subtle pain. Few living fictioneers approach this chef's sardonic confections, certainly not in English." - MICHAEL MOORCOCK "Quirky and fantastic and sometimes quite twisted, Rhys Hughes is a treat for those in the mood for something utterly different." - ELLEN DATLOW "Rhys Hughes is an accomplished player with words, plots, effects, relationships, sensibilities; you name it, Hughes tries to stand it on its head. More often than seems attributable to mere chance, he succeeds." - ED BRYANT, LOCUS "Dazzling prose. Put your feet up and dip in. Life will never seem quite the same again." - THE THIRD ALTERNATIVE "I wore throughout the undisplaceable, unsequelchable rictus of a grin of both delight and amazement." - MICHAEL BISHOP "Hughes' world is a magical one, and his language is the most magical thing of all." - T.E.D. KLEIN "There are no easy phrases to describe Hughes' fiction; it's so exotic. His writing is incredibly precise and at the same time his imagination is so unfettered." - JEFFREY FORD "Hughes' similarity to Spike Milligan runs deeper than the occasional shared lurch of phrase, for he writes as though he'd been bloodied in the same wars Milligan fought for eight decades: the same up-yours melancholia about the malice of the absurd - about the absurdness of the world defined not only as an inherent lack of species-friendly grammar in the convulsion of the real, but also a sense that anyone who acts as though he believes what he is told by our Masters will almost necessarily inflict pain on others." - JOHN CLUTE "What do I like about Rhys Hughes's work? Fun. Hughes sees and precipitates in words the latent humour in almost anything. Ranging from what our culture considers pleasing and smilingly ridiculous to horrors that have to be laughed at if they are faceable at all, Hughes is a laughing observer, both inside and outside. With Hughes you get humour that is white, various shades of grey, black - and I don't know why humour cannot be characterized by other colours. I am also enormously impressed by Hughes's stylistic brilliance. The richness of language, the occasional Cambrianisms, the inexhaustible array of puns, weird metaphors that form the point of a story. And I envy him his netted imagination. As a man who sees connections where others do not, he offers enough ideas, if parcelled out, to fill a catalogue of fantasy for a generation of writers." - E.F. BLEILER "It's a crime that Rhys Hughes is not as widely known as Italo Calvino and other writers of that stature. Brilliantly written and conceived, Hughes' fiction has few parallels anywhere in the world. In some alternate universe with a better sense of justice, his work triumphantly parades across all bestseller lists. " -JEFF VANDERMEER "Every Hughes story implies much, served with wit and whimsy and word-relish, high spirits and bittersweet twists." - IAN WATSON "A dazzling disintegration of the reality principle. A rite of passage to the greater world beyond common sense. Raises the bar on profundity and sets a comic standard for the tragic limits of our human experience. Like Beckett on nitrous oxide. Like Kafka with a brighter sense of humor." - A.A. ATTANASIO
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