Table of Contents

Introduction

Chapter 1: Musicalising Montgomery Clift

Chapter 2: Kazan, Brando, and Mélomania

Chapter 3: Hitchcock’s Time Vectors of Acting and Music

Chapter 4: Day, Monroe, and Gendered Music

Chapter 5: Dissonance and Consonance in James Dean’s Films

Chapter 6: Waters, Poitier, Music, and Race

Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli

Conclusion

About the Author

Gregory Camp is a Senior Lecturer at the University of Auckland School of Music, New Zealand.