Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include War's Unwomanly Face (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature "for her polyphonic writings, a monument to suffering and courage in our time."
Praise for Svetlana Alexievich and Secondhand Time
"There are many worthwhile books on the post-Soviet period and Putin's ascent. . . . But the nonfiction volume that has done the most to deepen the emotional understanding of Russia during and after the collapse of the Soviet Union of late is Svetlana Alexievich's oral history Secondhand Time."--David Remnick, The New Yorker
"Like the greatest works of fiction, Secondhand Time is a comprehensive and unflinching exploration of the human condition. . . . Alexievich's tools are different from those of a novelist, yet in its scope and wisdom, Secondhand Time is comparable to War and Peace."--The Wall Street Journal "Already hailed as a masterpiece across Europe, Secondhand Time is an intimate portrait of a country yearning for meaning after the sudden lurch from Communism to capitalism in the 1990s plunged it into existential crisis. A series of monologues by people across the former Soviet empire, it is Tolstoyan in scope, driven by the idea that history is made not only by major players but also by ordinary people talking in their kitchens."--The New York Times "The most ambitious Russian literary work of art of the century . . . There's been nothing in Russian literature as great or personal or troubling as Secondhand Time since Aleksandr Solzhenitsyn's The Gulag Archipelago, nothing as necessary and overdue. . . . Alexievich's witnesses are those who haven't had a say. She shows us from these conversations, many of them coming at the confessional kitchen table of Russian apartments, that it's powerful simply to be allowed to tell one's own story. . . . This is the kind of history, otherwise almost unacknowledged by today's dictatorships, that matters."--The Christian Science Monitor "Alexievich's masterpiece--not only for what it says about the fall of the Soviet Union but for what it suggests about the future of Russia and its former satellites. . . Stylistically, Secondhand Time, like her other books, produces a mosaic of overlapping voices... deepened by extraordinary stories of love and perseverance."--Newsweek "A trove of emotions and memories, raw and powerful . . . [Secondhand Time] is one of the most vivid and incandescent accounts of [Soviet] society caught in the throes of change that anyone has yet attempted. . . . Alexievich stations herself at a crossroads of history and turns on her tape recorder. . . . [She] makes it feel intimate, as if you are sitting in the kitchen with the characters, sharing in their happiness and agony."--The Washington Post "An enormous investigation of the generation that saw communism fall, [Secondhand Time] gives a staggeringly deep and plural picture of a people that has lost its place in history."--San Francisco Chronicle