'Hollis is magical on the layers of myth and history in the classical world - this is an engaging, erudite and readable book.' Financial Times 'A beautifully wrought book: a kind of illuminated manuscript with words taking the place of pictures - Here are wondrous stories writ in stone, and Edward Hollis has written about them very well indeed.' Guardian '[A] tremendous book - Hollis recounts the stories of 13 structures with passion and panache - His book [is] a rare thing: non-fiction you can reread.' Scotland on Sunday 'Accessible and ambitious - Hollis has the gift of making these buildings seem real and alive.' The Times
This is the story of architecture as never seen before. A brilliantly original book that takes us from the colossal achievements of antiquity to their ersatz rebuilding in Las Vegas, telling stories about buildings and the ways they change
Born in London in 1971, Edward Hollis studied Architecture at the universities of Cambridge and Edinburgh before joining a practice, working first on ruins and follies in the lagoons of Sri Lanka and then on Victorian villas, old breweries and town halls in Scotland. He now teaches at Edinburgh College of Art and this is his first book.
Hollis is magical on the layers of myth and history in the
classical world - this is an engaging, erudite and readable
book
*Financial Times*
[A] tremendous book ... Hollis recounts the stories of 13
structures with passion and panache ... His book [is] a rare thing:
non-fiction you can reread
*Scotland on Sunday*
Accessible and ambitious ... Hollis has the gift of making these
buildings seem real and alive
*The Times*
Hollis brings together an iconoclastic attitude and a lively
writing style to create a kind of counter-history of architecture,
one that starts where the original designers left off and narrates
the subsequent biography of the wonderful and chimeric monsters
that buildings are
*Washington Post*
Scintillating ... Every so often, works on the building art capture
the public imagination. Now Tracy Kidder and Witold Rybczynski are
joined by Edward Hollis, whose new book ... [is] worthy of wide
consideration
*New York Review of Books*
An accessible and ambitious exploration of the nature and meanings
of architecture ... Hollis has the gift of making these buildings
seem real and alive without recourse to illustrations, but his aim
lies beyond the physical fabric, in the contested values that
architecture can embody. Moral preoccupations are never far
away
*Sunday Times*
A fantasia from the real and the imagined... An unusual sort of
speculative history, almost a work of experimental fiction. The
buildings, which are its nominal subjects, are only MacGuffins on
which Hollis hangs a series of short stories on the themes of love,
loss, and time.
*Time Out New York*
What a happy tingle of discovery to come across a book that differs
sharply from all the others in its field ... Hollis thinks with
such originality and writes with such flair that he is a pleasure
to read
*The American Scholar*
A beautifully wrought book: a kind of illuminated manuscript with
words taking the place of pictures ... Here are wondrous stories
writ in stone, and Edward Hollis has written about them very well
indeed.
*Guardian*
A new and entertaining view of the context in which historic
structures have existed ... Recommended to readers interested in
architecture, the ideas of space and place, and intellectually
stimulating historical tales
*Library Journal*
Hollis moves gracefully through both buildings and historical
periods with an impressive command of detail and a sensitivity to
the people involved ... A strong, satisfying exploration of the
history, beauty, and wonder of Western architecture
*Kirbus Reviews*
Not confined to world-famous monuments, Hollis's attractive
approach attends to vernacular structures as well ... He writes
history electrically, informatively, and entertainingly
*Booklist*
Any architecture or history buff would be pleased to find The
Secret Lives of Buildings under the tree ... Through the eyes of
first-time author Edward Hollis, an architect who specializes in
restoring historic buildings, readers will discover that iconic
structures like the Parthenon, the Berlin Wall, and even the Vegas
Strip have led more storied lives than we realize. Hollis shares
them with a fairy-tale charm ... We at BookPage enjoyed this book
so much that it made it onto our list of 2009's Top 10 Non-fiction
Books
*BookPage*
An intriguing collection of essays ... Hollis takes his material
seriously, and his bibliography and footnotes reflect his thorough
research. His informal tone makes his essays more approachable for
the novice ... This volume is ideal for general readers ...
Recommended
*Choice: Current Reviews for Academic Libraries*
There is something Sebaldian about The Secret Lives of Buildings: a
digressive pleasure in the sheer strangeness of architecture and
the mortal intrigues by which it was wrought ... Hollis is
particularly good on the history of architectural
reconstruction
*Independent*
An impressive debut ... Beautifully written and produced
*Scotsman*
Tremendous ... It's unusual for a nonfiction book to match a neat
conceit with elegant execution, but Hollis has achieved it. The
stories are actually stories, not mere scrolls of fact. It helps
that he has a beautifully wry tone ... Hollis experiments with
structure, chronology, leitmotifs, and repetitions, and makes his
book a rare thing: nonfiction you can reread
*Scotland on Sunday*
A fascinating tale, a fairy-tale journey that shifts seamlessly
between edification and revelation ... Quite unlike any other
recent book on architecture, and a worthy nominee for the
Guardian's First Book Award
*Building Design*
Edward Hollis rewrites architectural history in this beautiful and
unsettling study of how the masterpieces of Western architecture
have changed over time. Temples become mosques; monuments become
ruins; deserts become cities, and deserts again. After reading this
book, no building will seem quite the same
*Christopher Woodward, author of IN RUINS: A JOURNEY THROUGH
HISTORY, ART, AND LITERATURE*
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