Virginia Burrus (Author)
Virginia Burrus is the Bishop W. Earl Ledden Professor of Religion
at Syracuse University. Her teaching and research interests in the
field of ancient Christianity include gender, asceticism,
constructions of orthodoxy and heresy, and the history of theology.
She is currently president of the North American Patristics Society
and co-editor of the University of Pennsylvania Press series
Divinations: Rereading Late Ancient Religion. She is the author of
six books, including Seducing Augustine: Bodies, Desires,
Confessions (Fordham University Press, 2010), co-written with
Mark Jordan and Karmen MacKendrick; and Sex Lives of Saints: An
Erotics of Ancient Hagiography (University of Pennsylvania
Press, 2004). She is also coeditor, with Catherine Keller, of
Toward a Theology of Eros: Transfiguring Passion of the Limits
of Discipline (Fordham University Press, 2006).
Mark D. Jordan (Author)
Mark D. Jordan is Andrew W. Mellon Professor of Christian Thought
at Harvard Divinity School. He is the author and editor of numerous
books, including, most recently, Convulsing Bodies: Religion and
Resistance in Foucault and Recruiting Young Love: How
Christians Talk about Homosexuality.
Karmen MacKendrick (Author)
Karmen MacKendrick is a professor of philosophy and an associate
chair of the McDevitt Center for Creativity and Innovation at Le
Moyne College. Her work in philosophical theology is entangled with
several other disciplines, particularly those involved with words,
with flesh, or with the pleasures to be taken in both. These
preoccupations appear in several books, most recently Divine
Enticement: Theological Seductions (Fordham University Press,
2013).
This book will work its charms on those on intimate terms with
Augustine and those who (accidentally or deliberately) have kept
their distance. The writing is beautiful, sharp, astute. The
authorial trinity brings together some of the most accomplished
voices in their respective disciplines in powerful
counterpoint.----Yvonne Sherwood, University of Glasgow
Seducing Augustine is an intriguing, multidisciplinary reflection
focused on a single passage in Augustine's Confessions . . .
Recommended. * -Choice *
A study of the Confessions that explores themes of secrecy and
confession, eroticism, constraint and freedom, and time and
eternity. * -The Chronicle of Higher Education *
Has there yet been an interpretation of the Confessions so
profoundly committed to delight? Augustine's delight in God, in the
world, in language; the reader's delight in Augustine and his text;
and perhaps - the daring inversion - God's own delight in our
multifarious responses. Each of the three authors engages the
Confessions from a different discipline, but each is moved by the
humanity and fleshliness of Augustine and his work - and their
emotion is made possible by their deep attention to the divine. Our
own reading of the Confessions is expanded and enriched by this
seductive volume.----Catherine Conybeare, author of The
Irrational Augustine, Bryn Mawr College
This short, elegantly written book is the collective effort of
three of the most provocative and insightful students of the
fretful logic of Christian asceticism, where flesh is alternately
mortified and resurrected to uncertain effect. They are variously
but all well equipped to read and struggle with Augustine, an
ancient virtuoso of such fretful logic. Seducing Augustine is
cross-disciplinary in appeal and will play well in philosophy,
theology, ethics, and religious studies-especially when historical
perspective is being given its due.----James Wetzel,
Villanova University
Augustine's legacy for sex in the West seems to have been
deadly. And yet his texts, eminently the Confessions, are
irresistibly seductive. Can he be seduced, so as to yield to and
inspire desire? Seducing Augustine shows how he can indeed. Its
triple authorship produces a plurality of performances that makes
seduction about play itself rather than about accomplishing the
deed. Can seduction substitute for sex? It can, if sex is about
pleasure, the pleasure of the text, a pleasure in the seduction of
words forming the body of the text, its flesh. The textual dynamics
enacting ultimately the love of God are sexual in their seductive
effects, producing pleasure in play that keeps desire alive with
desiring what it longs for and cannot quite possess-except in the
play itself that is realized textually. This desire is expressed in
praise that excites passion for the divine other, the one addressed
as "you." But to enjoy it, you must abandon all resistance and risk
endless joy without reserve.
The motivations of the whole tradition of Western literature,
including the discourses of theology and philosophy, can hardly be
grasped without taking into account the dynamics of desire
deciphered in this book that seduces the saint. He is made to
confess his seductiveness. It is a ravishing read!
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