Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bruno Latour, a philosopher and anthropologist, is the author of We
Have Never Been Modern, An Inquiry into Modes of Existence, Facing
Gaia, Down to Earth, and many other books. He coedited (with Peter
Weibel) the previous ZKM volumes Making Things Public, ICONOCLASH,
and Reset Modernity! (all published by the MIT Press).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Stephen Wilson was Professor of Conceptual and Information Arts at
San Francisco State University.
Amelia Jones is Grierson Chair in Art History and Communication
Studies at McGill University. Her books include Irrational
Modernism- A Neurasthenic History of New York Dada (MIT Press),
Self/Image- Technology, Representation and the Contemporary
Subject, and Seeing Differently- A History and Theory of
Identification and the Visual Arts.
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Peter Lunenfeld is Professor of Design Media Arts at UCLA.
Barbara Stafford is the William B. Ogden Distinguished Service
Professor of Art History at the University of Chicago. She is the
author of Good Looking, Artful Science, Body Criticism, and Voyage
into Substance (all published by MIT Press).
Yvonne Rainer (b. 1934) is a dancer, choreographer, and filmmaker.
She is the author of Feelings Are Facts- A Life (MIT Press).
Stephen M. Kosslyn is Founding Dean and Chief Academic Officer of
the Minerva Schools at KGI (the Keck Graduate Institute) and John
Lindsley Professor of Psychology in Memory of William James,
Emeritus, at Harvard University. He is the coauthor of Cognitive
Psychology- Mind And Brain and the author of Image and Brain- The
Resolution of the Imagery Debate (MIT Press).
Peter Galison is Pellegrino University Professor of the History of
Science and of Physics at Harvard University. He is the author of
Einstein's Clocks, Poincare's Maps- Empires of Time, How
Experiments End, and Image and Logic- A Material Culture of
Microphysics, among other books, and coeditor (with Emily Thompson)
of The Architecture of Science (MIT Press, 1999).
William J. Mitchell was the Alexander W. Dreyfoos, Jr., Professor
of Architecture and Media Arts and Sciences and directed the Smart
Cities research group at MIT's Media Lab.
Barbara Stafford is the William B. Ogden Distinguished Service
Professor of Art History at the University of Chicago. She is the
author of Good Looking, Artful Science, Body Criticism, and Voyage
into Substance (all published by MIT Press).
Bill Arning is Curator at the List Visual Arts Center at MIT.
Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory
at Columbia University. A founding editor of Zone Books, he is the
author of Techniques of the Observer (MIT Press, 1990) and coeditor
of Incorporations (Zone Books, 1992). He has been the recipient of
Guggenheim, Getty, Mellon, and National Endowment for the Arts
fellowships and was a member of the Institute for Advanced Study in
Princeton.
Thomas Y. Levin is Associate Professor of German at Princeton
University where he teaches media and cultural theory. His most
recent book CTRL SPACE - Rhetorics of Surveillance from Bentham to
Big Brother (MIT Press, 2002) is the catalogue of a major
exhibition which he curated at the ZKM in Karlsruhe (Germany).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Sherry Turkle is Abby Rockefeller Mauze Professor of the Social
Studies of Science and Technology at MIT and Founder and Director
of the MIT Initiative on Technology and Self. A psychoanalytically
trained sociologist and psychologist, she is the author of The
Second Self- Computers and the Human Spirit (Twentieth Anniversary
Edition, MIT Press), Life on the Screen- Identity in the Age of the
Internet, and Psychoanalytic Politics- Jacques Lacan and Freud's
French Revolution. She is the editor of Evocative Objects- Things
We Think With, Falling for Science- Objects in Mind, and The Inner
History of Devices, all three published by the MIT Press.
Michel Foucault (1926-84) is widely considered to be one of the
most influential academic voices of the twentieth century and has
proven influential across disciplines.
William Gibson is the author of many books, including Neuromancer
and, most recently, Pattern Recognition.
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
On the exhibition: 'Put aside everything you think you know about art for the sake of experiencing the sensual extravaganza of 'Sensorium,' the ambitious, technically astute, and at times mesmerizing List Center exhibit that addresses the intersection of technology and physical sensation.'—Boston Phoenix
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