Table of Contents

List of illustrations List of contributors General editor's preface Acknowledgements Introduction, Christy Desmet, Part 1: Appropriation in Theory, 1. Alas, Poor Shakespeare! I Knew Him Well Ivo Kamps 2. Entry on Q Terence Hawkes 3. Romancing the Bard Laurie E. Osbourne 4. Moor or Less?: The Surveillance of Othello , Calcutta 1848 Sudipto Chatterjee and Jyotsana G. Singh Part 2: Appropriation in Practice 5. Remembering King Lear in Jane Smiley's A Thousand Acres Caroline Cakebread 6. Signifyin' on The Tempest in Gloria Naylor's Mama Day James R. Andreas, Sr. 7. Accommodating the Virago: Nineteenth-Century Representations of Lady Macbeth Georgianna Ziegler 8. The Shakespeareanization of Robert Browning Robert Sawyer 9. The Displaced Body of Desire: Sexuality in Kenneth Branagh's Hamlet Lisa S. Starks 10. Disney Cites Shakespeare: The Limits of Appropriation Richard Finkelstein 11. Afterword: The Incredible Shrinking Bard Gary Taylor Further Reading, Matt Kozusko Bibliography Index

About the Author

Christy Desmet is Associate professor of English at the University of Georgia, and the author of Reading Shakespeare's Characters: Rhetroric, Ethics and Identity (University of Massachusetts Press, 1992). Robert Sawyer is Visiting Associate Professor of English at the University of Georgia.

Reviews

""Shakespeare and Appropriation should be essential reading for anyone interested in the current state of Shakespeare studies in North America and the United Kingdom. [T]his volume epitomizes some of the most sophisticated and influential thinking that is currently being done about Shakespeare in scholarly circles. [I]n conception, design, and execution, Desmet and Sawyer's volume is a profoundly satisfying work, richly deserving of a wide and appreciative readership. Itself an act of sophisticated and innovative Shakespearean appropriation, this volume sets a very high standard of achievement for future scholars in its field."
-South Atlantic Review