Introduction
Chapter One
Singing the English: At the Café-Concert
Chapter Two
Singing for Salvation: Music and British Evangelism in France
Chapter Three
Singing the Celts: British Folk Music and French Identity
Chapter Four
Singing in London: Dubious Music in French Travel Writing
Epilogue
Hannah L. Scott is a Research Fellow at Newcastle University, with a particular interest in the world of performance in nineteenth-century France, especially popular songs, dance culture, and street spectacles. Her first monograph, Broken glass, broken world: glass in French culture in the aftermath of 1870, was published by Legenda in 2016.
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