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Singing the Goddess into Place
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Table of Contents

List of Illustrations
Acknowledgments
Preface
Note on Transliteration

1. Introduction: Singing Place and Situating Deities in the Kannada Folksong Chamundi of the Hill

2. "She killed the buffalo demon and dwells on the middle of the hill": Myth, Locality, and Cosmological Significance

3. "You're the one who protects this place": Folk Perspectives on Urban History and Regional Significance

4. "He is from one caste; we are from another": Religion, Caste, and Social Change

5. "I live on the top of the hill . . . you remain near its base": "High" and "Low" in the Goddess Traditions of Southern Karnataka

6. Chamundi of the Hill Translation

Appendix: "Wodeyar Origin Narrative" from Great Kings of Mysore

Notes
Bibliography
Index

About the Author

Caleb Simmons is Associate Professor of Religious Studies and Faculty Director of the Bachelor of General Studies Program in the College of Humanities at the University of Arizona. He is the author of Devotional Sovereignty: Kingship and Religion in India and coeditor (with Moumita Sen and Hillary Rodrigues) of Nine Nights of the Goddess: The Navarātri Festival in South Asia, also published by SUNY Press.

Reviews

"Simmons raises important questions about different kinds of narratives in Hindu traditions, and this book is an excellent pedagogical resource." — Reading Religion

"Caleb Simmons has written a compelling study that sheds light on a local tradition of wider importance and bears broad significance to the study of religion in South Asia, with a particular contribution to the much‐neglected subject of popular religious ballads (sometimes referred to as 'oral epics' or 'folk narratives'). The Kannada‐speaking culture is known for its originality and richness but also for being woefully understudied. This book brings to light the rich local culture of Mysore, a necessary stop on a scholar's path that few write about, and thereby fills a real gap in the study of the region by illuminating a neglected hinterland between ethnography and textual studies." — Gil Ben-Herut, author of Siva's Saints: The Origins of Devotion in Kannada according to Harihara's Ragaḷegaḷu

"The strength of the book is also the interest of the ballad under review; it shows a Mysore-centric goddess tradition in which the fortunes of the kings and their people are woven together in an elite and popular, or high and low (as the author frames the distinction), whole. The inclusion in the ballad of roads, places, social customs, clothing styles, and foods specific to Mysore situates the Goddess; she takes place, or makes her place, in Mysore. This book will be assigned in courses on Hinduism or South India, probably in religion departments and for undergraduates."— Rachel Fell McDermott, author of Revelry, Rivalry, and Longing for the Goddesses of Bengal: The Fortunes of Hindu Festivals

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