List of illustrations, General introduction, Introduction to volume I, I. Prehistoric times, 1. Old Stone Age: magic and naturalism, 2. New Stone Age: animism and geometrism, 3. The artist as magician and priest: art as a profession and domestic craft, II. Ancient-Oriental urban cultures, 1. Static and dynamic elements in Ancient-Oriental art, 2. The status of the artist and the organization of artistic production, 3. The stereotyping of art in the Middle Kingdom, 4. Naturalism in the age of Akhenaton, 5. Mesopotamia, 6. Crete, III. Greece and Rome, 1. The heroic and the Homeric ages, 2. The archaic style and art at the courts of the Tyrants, 3. Classical art and democracy, 4. The age of enlightenment in Greece, 5. The Hellenistic age, 6. The Empire and the end of the ancient world, 7. Poets and artists in the ancient world, IV. The Middle Ages, 1. The spirituality of early Christian art, 2. The artistic style of Byzantine Caesaropapism, 3. Causes and consequences of iconoclasm, 4. Art from the age of the migrations to the Carolingian Renaissance, 5. The epic poets and their public, 6. The organization of artistic production in the monasteries, 7. Feudalism and the Romanesque style, 8. The romanticism of court chivalry, 9. The dualism of Gothic art, 10. Lodge and guild, 11. The middle-class art of the late Gothic period, Notes, Index
Arnold Hauser
'Arnold Hausers Social History of Art - a very important and
under-appreciated text.' - Whitney Davis, John Evans Professor of
Art History, Northwestern University
'It is no exaggeration to say that more than any other work
Hauser's four volumes inspired my interest in art history.' - Alan
Wallach, Ralph H Wark Professor of Art History, College of William
and Mary
'This work has great value in a contemporary context. I look
forward to seeing what Jonathan has done with the introduction, but
I cannot think of anyone better suited to the task.' - Johanna
Drucker, Professor of Art History, Yale University
Hausers extraordinary energy and subtlety wave a brilliant
synthesis of the interaction between the aesthetic and societal,
giving us at one and the same time a wealth of artistic detail and
a consistent and fully elaborated exposition of the social process.
- Albert Boime, UCLA, author of The Social History of Modern Art,
1750-1989
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